Showing posts with label space ship. Show all posts
Showing posts with label space ship. Show all posts

Wednesday, 8 October 2025

Mission Mars (1968)

A rather plodding, dull and amateurish sci-fi film that eventually is redeemed by an unusual alien encounter


Directed by Nick Webster
Screenplay by Mike St. Clair
Story by Aubrey Wisberg
Produced by Everett Rosenthal
Cinematography: Cliff Poland
Edited by Paul Jordon
Music by Berge Kalajian, Gus Pardalis, The Forum Quorum
Poduction company: Red Ram Productions
Distributed by Allied Artists Pictures
Running time: 90 minutes



Cast

Darren McGavin: Col. Mike Blaiswick
Nick Adams: Nick Grant
George De Vries: Duncan
Michael DeBeausset: Cliff Lawson
Heather Hewitt: Edith Blaiswick
Shirley Parker: Alice Grant


In the last post, Night Caller From Outer Space (1965), I alluded to the fact that the British seemed to have the knack of constructing good quality films (including science fiction films) despite budgetary constraints and questionable plot lines. Unfortunately, the same cannot be said for many sci-films that have come out of the US and the film, Mission Mars is just one example of a film that is on the whole rather dull, pedestrian and plainly amateurish.

When the film was made in the 1967- 68, Apollo 8 was set to herald humanity’s first breakaway from its earthly bonds on a journey to orbit another heavenly body. This mission provided the human race with a view of our beautiful but fragile planet suspended in the void of space and offered us a glimpse of our place in the scheme of things. From that mission, we then set our sights for mankind’s first physical presence on the surface of another world – our moon.

As a 12 year old at the time, I envisioned human beings establishing bases or colonies on the moon sometime in the 1970s. From this, I believed that human beings would probably set foot on Mars sometime during the 1980s. How wrong I was! Nearly 60 years later, we are possibly about to somewhat replicate Apollo 8s achievement and many in the space industry are (over?) confidently anticipating that we will have a human (American) presence on the moon’s surface by 2027. That is if the Chinese don’t get there first in the new ‘race’ to the moon. From this it is projected that we will use the moon as a springboard to having a human presence on Mars and of course – beyond. As to when? Well, pick a number, any number!

Let’s now go back to the late 60s to the film, Mission Mars as the United States prepares to launch three astronauts on a mission to land on the planet, Mars….

Traile



Read on for more.....

Wednesday, 10 March 2021

Marooned (1969)

This tightly structured, well-acted and workmanlike film is beautifully directed and neatly combines aspects of human behavior and technological dilemma.


Directed by John Sturges
Produced by M. J. Frankovich
Screenplay by Mayo Simon
Based on “Marooned” by Martin Caidin
Cinematography: Daniel L. Fapp
Edited by Walter Thompson
Distributed by Columbia Pictures
Running time: 134 minutes
Budget: $8–10 million


Cast


Gregory Peck as Charles Keith
Richard Crenna as Jim Pruett
David Janssen as Ted Dougherty
James Franciscus as Clayton Stone
Gene Hackman as Buzz Lloyd
Lee Grant as Celia Pruett
Nancy Kovack as Teresa Stone
Mariette Hartley as Betty Lloyd
Scott Brady as Public Affairs Officer
Frank Marth as Air Force Systems Director
Craig Huebing as Flight Director
John Carter as Flight Surgeon
Walter Brooke as Network Commentator
Vincent Van Lynn as Aerospace Journalist
George Gaynes as Mission Director
John Forsythe as The President (voice only)
Tom Stewart as Houston Capcom
Bill Couch as Cosmonaut



1969 Trailer

Spoilers follow below....

“Spacecraft systems are go”



The early morning serene stillness slowly heralds the dawning of a new day. At the same time an acronymed and abbreviated staccato countdown proceeds toward another dawning of a new day in which the fabric of Nature’s tranquil curtain is about to be rent by the rude sharp thrust of humanity’s spear of technological optimism.




Three U.S. astronauts (commander Jim Pruett, "Buzz" Lloyd, and Clayton "Stoney" Stone) are to be the first crew of an experimental space station on an extended duration mission.

Their Apollo spacecraft is named, “Ironman One,” conjuring up impressions of Marvelled invincibility and superhuman powers. The mission seems to exude supreme confidence and after a successful launch which appears to be quite routine and within the capsule (despite the bone-jarring lift-off) surprisingly serene and sedate, it is observed by one of the astronauts, “Hey, it looks like a fine day down there! I can see all the way from Gibraltar to Greece. Coming up on the terminator, should be in our first sunset in a few minutes.”



The only thought given to any problem or difficulty seems to lie with obtaining a clearer picture for the cameras.

After 22 minutes into the flight, the crew will set about “the business of the flight plan” involving a rendezvous on docking with the Saturn 4B orbital laboratory. The lab is very much like the Skylab of the 1970s we’re familiar with.


Routine, predictability, training and technology combine to achieve the successful completion of the docking procedure with the orbital laboratory into which the crew of Ironman One will transfer and where they will live and work for the next seven months.

According to the Public Affairs Officer, “this will be a test of the spacecraft, the systems and most of all the men in preparation for interplanetary deep-space missions which are now being planned.”


Apparently with the moon landings under its belt and with rendezvous and docking procedures along with extra vehicular activities having become something of a walk in the park, humanity is now optimistically setting its sights further afield, perhaps in this case to Mars.

About five months into the mission problems begin to emerge in which it is observed there is a serious decline in the ability to perform simple manual tasks, along with lack of sleep, fatigue and weight loss. Lloyd in particular has begun to exhibit erratic behavior and substandard performance. His physical appearance and demeanor speaks volumes. Equipment is beginning to fail, mistakes are being made and the wrong kind of problems and priorities are being fixated on.

In the face of these developments, NASA management decides to end the mission early.

After closing down the S-4B lab, the Apollo spacecraft prepares for separation followed by automatic sequence of retrofire. Routine, predictability, training and technology should combine to enable them to start their “descent across Australia towards the splash point in the Pacific some 400 miles south of Midway Island.” All they now need to do is wait for confirmation of retrofire….



“Ironman One, Ironman One, this is Houston CapCom, do you read?”

Space is no place for hubris and over-confidence. If care is not taken and respect is not given, space will kill you. Humans are not evolved to live and work in space for very extended periods of time. The only way that can be achieved is to terraform the new environment or bio-engineer humans to cope with the hostile conditions.

There is only in reality the thin skin of a spacesuit, a spacecraft or habitat that separates one from being alive or being sucked into oblivion. Technology does fail and humans do make mistakes and space is unforgiving of both.

If the recent process of extended lockdowns and social distancing has taught us anything, it is that being social and gregarious creatures, humans can experience difficulties when cut off from normal social activities and interactions. No selection process can possibly anticipate and eliminate all the possible psychological and other group dynamic factors and problems that are likely to occur on extreme long duration space flights and planetary colonization.

Nor will public affairs spin be able to completely and effectively white wash this supposed “successful prelude to the long-term space voyages that some day will be normal and routine…” as after a tense period of attempting to communicate with Ironman One, the message is received, “We have negative retrofire. Negative, no burn.”


Read on for more.....

Thursday, 14 November 2019

Sci-Fi Stories That Inspired Classic Sci Fi Films: “Farewell To The Master” by Harry Bates


"Farewell to the Master" is a science fiction short story by American writer Harry Bates. The story was first published in the October 1940 issue of Astounding Science Fiction. The 1951 classic science fiction film, The Day the Earth Stood Still (which is featured on this blog) was loosely based on this story.




Clip: Gort Appears


Both the story and the film are quite dissimilar. In Bates’ story, the events are told from the viewpoint of Cliff Sutherland, a free-lance picture reporter and concerns the sudden appearance of a mysterious "curving ovoid" ship on the grounds of the United States Capitol in Washington, D.C.

As in the film version, two "visitors from the Unknown" emerge from the craft: one an 8-foot tall robot called “Gnut” made of green metal, and the other a being called “Klaatu.” You can find out what happens next in this story by downloading the epub version of Farewell To The Master.






********

Recent Additions!!

Check out the Classic Sci Fi Double Feature Page which for this session features two back-to-back films from 1955:



The Day The World Ended & The Phantom From 10.000 Leagues.


Head off to the Classic Sci-Fi Radio Page where you’ll find a link to a classic radio play adapted from the Doctor Who TV series. This one features the second doctor in "Tomb Of The Cybermen" from 1967.








Thursday, 20 June 2019

The Angry Red Planet (1959)



Low-budget sci-fi fun


Directed by Ib Melchior
Produced by Sidney W. Pink, Norman Maurer
Screenplay by Sidney W. Pink, Ib Melchior
Based on Original story by Sidney W. Pink
Music by Paul Dunlap
Cinematography: Stanley Cortez
Edited by Ivan J. Hoffman
Production company: Sino Productions
Distributed by: Sino Productions (originally), American International Pictures
Running time: 83-87 minutes
Budget: $200,000


Cast





Gerald Mohr as Colonel Thomas O’Bannion

Naura Hayden 
as Dr. Iris "Irish" Ryan


Les Tremayne as 
Professor Theodore Gettell


Jack Kruschen 
as Chief Warrant Officer Sam Jacob

Paul Hahn as Major General George Treegar
J. Edward McKinley as Professor Paul Weiner
Tom Daly as Dr. Frank Gordon
Don Lamond as TV Newscaster/Martian Voice
Edward Innes as Brigadier General Alan Prescott
Gordon Barnes as Major Lyman Ross
Jack Haddock a Lt. Colonel Davis
Brandy Bryan as Nurse Hayes
Joan Fitzpatrick as Nurse Dixon
Arline Hunter as Joan
Alean Hamilton as Joan's Friend


Trailer


The first spaceship to Mars!
Presumed lost!
Now found in space and remotely returned to Earth!
Only two of the original crew of four are still alive!
One survivor remains unconscious!
An alien growth on his arm!
The other survivor has blocked out all memory of what happened!
The race is now on to...
Save the unconscious crewman

and….

Help the amnesiac crew-mate to remember what happened back on…..


Read on for more.......

Tuesday, 5 March 2013

The Day The Earth Stood Still (1951)



An intelligent and thoughtful Film


Cast



Synopsis


Essentially, The Day The Earth Stood Still is about a man from space who comes to Earth to warn its inhabitants about the consequences that will befall them should they threaten peace in the universe by extending their nuclear arms technology beyond the confines of planet earth. After spending time with humans, it becomes apparent to him that drastic action must be taken to get humanity to pay attention to his message. He decides, therefore, to stop all machinery on Earth for half an hour as a demonstration of his power. 

Will this demonstration succeed in bringing humanity to its senses? Will the earth need to be destroyed to ensure the peace and well-being of the rest of the universe? 

Go to the full Lux Theatre  old time radio presentation featuring Michael Rennie to experience what it was like on..... 

Context


The kind of distrust, fear and hostility that was portrayed in the film is better understood when seen in the context of the times;
  • The dictator Joseph Stalin was still in power in Russia.
  • The Soviets were not far from testing their own hydrogen bomb.
  • In 1949 China had been taken over by the Communists after a civil war.
  • The Korean War was at its height.
  • (See my post, “Sci-Fi on film 1951” for a more complete overview of the times)

Significant Features

  • There is no mistake about the anti-war sentiments being expressed (and expressed they are) through the character Klaatu’s very words when he states that, “ the threat of aggression by any group, anywhere can no longer be tolerated. There must be security for all or no one is secure.” He speaks from the stance of someone who comes from a place which has put together “an organization for the mutual protection of all planets and for the complete elimination of aggression.” This state of affairs is enforced by the creation of “a race of robots” whose “function is to patrol the planets in spaceships.…and preserve the peace….The penalty for provoking their action is too terrible to risk. The result is we live in peace, without arms or armies, secure in the knowledge that we are free from aggression and war, free to pursue more profitable enterprises.” At the cemetery Carpenter informs Bobby that where he comes from they don't have any wars. Bobby responds by saying, "that would be a great idea!"


As was pointed out above, the 1950s were a time of fear, suspicion and distrust and the film clearly reflects this. In the film, The Day The earth Stood Still, it is suggested by one character that the saucer is really from (where else?) Russia. The TV / radio presenter further expresses this atmosphere of fear through his assurance that “…so far that there is no reasonable cause for alarm. Rumours of invading armies and mass destruction are based on hysteria and are absolutely false. I repeat, they are absolutely false.” And what happens soon after the saucer lands? It is surrounded by heavily armed soldiers and the spaceman is then shot by one of them soon after he emerges from the ship, despite declaring, “We have come to visit you in peace and good will.” What kind of world has greeted the visitor!? The kind of world that would destroy “… a gift (that we could have used to study) life on other planets.”
  • The pervading sense of fear and insecurity of the times is felt as Klaatu or Carpenter wanders the city and we can hear the urgent and panicked news bulletins coming from the houses he passes. When Klaatu enters a boarding house with a room for rent the occupants of the boarding house don’t notice him as they are focused on the TV bulletin where a warning is being given concerning the alien from space being on the loose. We notice that when Klaatu enters, his outline appears in darkness. The others turn to look at him in fear, and their relief is evident when the lights are turned on revealing just a man looking for a room. The "strange unreasoning attitudes" of the people are further fueled by the media. For example, in one broadcast listeners are told that the spaceman is a "monster" and a "menace from another world" who must be "tracked down like a wild animal." Carpenter is the only one being interviewed who is capable of accurately commenting on what people should be concerned about, namely "substituting fear for reason." Not surprisingly he is cut off mid sentence since what he has to say is not what the media wants to hear. Fear and sensationalism and not reason or thoughtfulness sells.  Yes, it was a time where according to Carpenter "everyone seems so...."  and accurately labelled by Helen "Jittery."
  • Interestingly enough, the film portrays a time that is unimaginable today in terms of attitudes towards personal safety and the safety of loved ones. At one point, Klaatu (alias Carpenter) suggests that Mrs. Benson’s young son, Bobby “might show me around the city.” What mother of today would allow her son to roam around the city with a virtual stranger? We also see a young child who was questioned by the soldiers pursuing Klaatu playing on the streets after dark. Not many parents would feel comfortable with that these days!
  • At Arlington National Cemetery, Bobby explains to Klaatu, “That’s my father. He was killed at Anzio.” Unfortunately, many boys of his age would've been able to say something similar. Too many fathers were away in the army and were killed in war when their sons and daughters were still only babies. We can better understand why this boy takes such a liking to this stranger who is almost like the father he never really had.



Patricia Neal’s single mother character is probably representative of many war widows of the time who were face with very difficult choices and very few options. She is faced with living at a boarding house and supporting herself and her son on her own. She works as a secretary in an office in an era when women were expected give up their war time jobs to returning servicemen, get married and become stay-at-home mothers. To make matters worse, she could have wound up with a selfish, opportunistic and weak fiance (Tom Stevens) who wants to get married quickly as a career advancing selling point and who doesn't "care about the rest of the world."





Whether intended or not, one can’t help but see Klaatu as a kind of Christ-like savior figure who holds out to us the promise of our own salvation. He has come here (from up above!) -“I traveled 250 million miles”- to deliver a message of peace. His attempts are rejected by the world’s leaders who are too caught up with their own petty political squabbles (“Our world at the moment is full of tensions and suspicions.”) Klaatu then determines to understand humanity by living among people and adopting the name “Carpenter.” That he is a gifted stranger with acute powers of observation and insight there can be no doubt. Klaatu even has what seems to us advanced healing powers as reported by one physician who stated that Klaatu had cured his bullet wound with a salve he’d brought with him. Klaatu is eventually betrayed by a Judas-like informer (Stevens) who is intent on being “the biggest man in the country” and is killed by the military, only to be resurrected for a time. Sounds roughly familiar?




There appears to be a rather “old testament” dark and vengeful side to the character Klaatu and what he represents. We have a sense of a “salvation OR ELSE!” message being given if humanity doesn't come to its senses. The kind of power we are dealing with here is evident as Klaatu and Helen are being hemmed in by the military and he states, “I’m afraid of what he (Gort) would do if anything should happen to me. There’s no limit to what he could do. He could destroy the Earth.” The sense of menace to our very survival is so strong that, not only Helen, but we, the audience would “remember those words,” “Klaatu Barada Nikto,” and we wouldn't hesitate to repeat them back to Gort if anything were to happen to Klaatu! The message is quite clear: We act foolishly at our own peril and we if we choose to ignore the message of peace, we will fall to an unimaginable and implacable force that will show us no mercy. This force is revealed to the audience in the form of a large indestructible robot equipped with a powerful laser-like beam able to dissolve tanks, cannons or the entire earth. We will be rewarded if we do good and punished if we do wrong. In short, “your choice is simple: Join us and live in peace or pursue your present course and face obliteration.”



  • At the Lincoln Memorial, Carpenter is very impressed with the words from the Gettysburg Address on the monument, “That this nation under God shall have a new birth of freedom and that government of the people, by the people, for the people shall not perish from the Earth.” For Carpenter, “Those are great words. He must have been a great man. … That’s the kind of man that I’d like to talk to.” Which leads us to Professor Jacob Barnhardt and those characters like him. He represents those respected individuals and groups who pursue the ideals of knowledge and truth and whose minds are open to unimaginable possibilities. By producing such people, past and present, it is as if humanity has demonstrated its innate capacity to strive for and attain something better, whether it be truth, peace or freedom, despite its capacity for self-destruction.


Points Of Interest

  • Although it worked quite well with Earth vs The Flying Saucers, this is one classic science-fiction I would not want to see colourized. It is almost film noir-like in its use of light and shade and camera-work, all of which would be spoiled by any tampering with aspects of its visual presentation.
  • Bernhard Herrmann’s haunting soundtrack with the use of theremin (actually two theremin instruments and other electronic instruments), combined with images of Gort’s passive and menacing silent presence adds to the film’s chilling and spine-tingling mood and atmosphere.
  • The flying saucer looked quite impressive as it landed, along with the way it splits down the centre to open.
  • What an excellent choice in having Michael Rennie play the part of Klaatu! He portrayed the stranger in a strange world role remarkably well. He conveyed the air of high-moral, all-knowing and benevolent visitor, tinged with an undercurrent of darker possibilities very effectively.
  • The method used of cutting all electricity was "a brilliant idea." Its selective application fit the criteria of being "dramatic but not destructive." Get a pen and paper and jot down all the ways your life would be affected during say the course of a day if all electricity was suddenly cut off. Now extend that list to the effects on you local community, then your country and then the entire world. Our means of power and strength is also our weakness.



The best way to appreciate the 1951 version of The Day The earth Stood Still, is to watch the 2008 remake starring Keanu Reeves. After enduring this version featuring Keanu Reeves’ wooden performance punctuated by some fairly impressive special effects, you’ll soon see why the original version stands head and shoulders above that effort. The 1951 film holds up very well even in the 21st. Century. It shows that sometimes you can do more with less…







©Chris Christopoulos 2013