Monday, 30 December 2019

Sci-Fi Stories That Inspired Classic Sci Fi Films: “Forbidden Planet” by W. J. Stuart

To begin with, the film Forbidden Planet (1956) was actually loosely based on William Shakespeare's, The Tempest. This sci-fi classic film in turn went on to influence other films and series of that genre including Star Trek and 2001: A Space Odyssey.

Shakespeare’s The Tempest is a play that is set on an island near Italy where Prospero, who had at one time been Duke of Milan, and his beautiful daughter, Miranda, live with a spirit servant called Ariel and a strange wildman called Caliban who is Prospero’s slave. Prospero uses magic to conjure a storm and torment the survivors of a shipwreck, including the King of Naples and Prospero's treacherous brother, Antonio. Prospero's slave, Caliban, plots to rid himself of his master, but is thwarted by Ariel.

Magic, betrayal, love, forgiveness and repentance are among the main themes dealt with in The Tempest.

The sci-fi movie, Forbidden Planet (1956) is set in the year 2371 on a desert planet called Altair-4, where the crew of the Cruiser C-57-D arrives on a rescue mission and to determine the fate of a group of scientists who had been sent there decades earlier. When Commander John J. Adams and his crew arrive, they discover only two people: Dr. Morbius and his daughter, Altaira who was born on the remote planet. The questions that need to be answered are:

What happened on Altair IV? 
Why is it that only Morbius and Altaira are the sole survivors?

Shortly before the film was released, a novelization appeared that was written by W. J. Stuart (Philip MacDonald being the pseudonym he wrote under). His story largely follows the events and characters depicted in the film with some minot alterations and additions. In the novel, the story is told from the point of view of three different narrators: Dr. Ostrow, Commander Adams, and Dr. Morbius.

The novel goes into far greater detail concerning the mysterious Krell and their disappearance. In fact, before viewing the film, it would pay to read the account in Stuart’s novel of Morbius’s repeated exposure to the Krell's brain boosting technology and how it ultimately led to his and the Krell’s own downfall, both of whom did not take into account the role played by their imperfections and primitive base drives.

One of the added story elements that was not present in the film involves Dr. Ostrow’s dissection of one of the dead Earth-type little primates whose internal structure suggests that it had never been alive in the way we would understand a biological organism as being alive. This creature along with the other animals are therefore conscious creations or constructs of Dr. Morbius using Krell technology that can project matter in any form. And what of the power to create life? Can such hubris and arrogance be permitted? - “We are, after all, not God."

Movie clip: Id Monster

Forbidden Planet PDF Download

Forbidden Planet Radio Play Download

Forbidden Planet Full Movie Link

Blog Post Movie Review

I’ll have the last of the sci-fi films from the 1950s for your consideration early in the new year. After that, I’ll present a fairly random selection of what I consider to be among the best classic sci-fi films from the 1960s – 1980’s. They wont be dealt with in any particular chronological order and quite a few films will not be included at all.

Wishing everyone a very Happy New Year and the very best for 2020! Thank you for stopping by this blog and I sincerely hope you managed to find something of interest.

A special thought and prayer for those people here in Australia who are enduring horrible drought conditions and bush-fires. May things turn around for the better as soon as possible!

Donations to help individuals and communities affected by bush/wild fires and the ongoing drought can be made at:

©Chris Christopoulos 2019

Tuesday, 17 December 2019

Sci-Fi Stories That Inspired Classic Sci Fi Films: “Deadly City” by Paul W. Fairman (1916 – 1977)

Paul Warren Fairman (1916-1977) was an editor and writer in a variety of genres under his own name and under pseudonyms. In 1955, he became the editor of Amazing Stories and Fantastic.

Fairman's science fiction short story"Deadly City" appeared in the March 1953 issue of Worlds of Science Fiction: If, under Fairman's "Ivar Jorgensen" pseudonym and was made into the motion picture, Target Earth which is features in this blog.

Target Earth (1954) is set in an eerily deserted Chicago and involves a small group of people who have been overlooked during a mass evacuation of "the city that never sleeps." The evacuation has occurred due to a sudden invasion by hostile robots (well, at least one in the film!) possibly from the planet Venus.

Fairman’s story, however focuses less on the alien invasion aspect than the film does. There are no robot invaders. Instead, the invaders are glimpsed once and only from a distance. The printed story is also far more gritty, noirish and brutal than the film version.

A new Roger Corman double feature on the Classic Sci-Fi Double Feature Page.

Friday, 13 December 2019

Future Fears For Now (A Poem)

The following poem was inspired somewhat by the film, The Tingler which was the subject of my last post. I borrowed the idea of “fear” and tried to consider the almost pervasive, paralyzing and distorting effect that fear can have on individuals and on our modern society now and into the future.

The poem kind of just fell into my head after I finished writing about The Tingler, and I quickly wrote it down as it occurred to me so it reads a bit like stream of consciousness.

Anyway, for what it’s worth…..

Future Fears For Now 

Your eyes suddenly snap open in terror
from an image burned into your mind:
an after glow of last night’s nightmare
of you sitting and sweating at a white table
under a searing ultaviolet sky,
playing polka on the lawns of the White House
with three silhouettes, one of whom shuffles
giant cards from a marked deck.
Texas hold ‘em, winner takes all,
but no, not you - you knew you had to fold
for the game was rigged in favour
of the player with the highest hand.
And now you fearfully ooze out of bed
to face a day-long fearful future
itemized by your AI assistant
who despite “her” faux-feminine ways
really doesn’t give a shit about you
‘coz the chatty cunt can’t.
On command “she” switches on the lights
and tells you about today’s weather
‘coz you’re far too scared to look outside
while the AI toothbrush brushes
your teeth at your precise preferred angle
‘coz you’re far too frightened to do it yourself.
Thank God for your smart devices
as you unwittingly continue to devolve:
driver-less and aimless without a destination;
autonomous while robbed of real autonomy;
connected but disconnected from life;
freed up to obey your device’s insistent
clamoring for your time and attention -
Emails, tweets, texts and notifications -
while the world slides by tinted windows
and you fail to notice a patch of blue sky
before the tallest smart building in the world
windshield wipes it away as it rains
to be replaced by a shadow cast over a past
psychic link to the earth and the universe
long since severed and replaced by junk piles
of mass-produced obsolescence and infant fears
of one hot day being hailed as a heatwave
while failing to feel the steadily rising fever
of the being stirring beneath your feet
and the march of the times that are a-changin,
of the earth’s climate that’s a-ragin’
of an order that’s re-arrangin.’
Watch as your ice-palace pleasure domes 

while whole horizons of looming towers slowly 

Status quo is death and decay, but life is change,
only if you can see, learn, adapt and evolve.
Or will you wait for the slow shifting sands of time
to roll in where you can dig a hole to bury your head?
Like the rest, you walk with bowed head and covered ears,
existence canceled out of your mind,
except for Bluetooth voices inside your head:
a modern techno zombie with a screen as guide,
afraid of the world around you and what it might say.
The hole in your head quickly fills with fears
of being unfollowed, unfriended and finally blocked
as you flee from vicious slack-jawed dyslexic trolls.
Hey, Facebook phony, snap a pic of your lovely lunch
and add it to the Instagramed lies of your life!
More uploaded delusions to feed your ego,
Owned by others you fear to fail to impress. 

What’s this? Feelings of paranoid fear
Of being watched and tracked and stored.
Eyes in the sky and spies in your phone
never knowing what it is to be left alone.
But you told them where you’re going
and showed them where you’d been,
let them know what you were doing
and who and what you had just seen!
When speaking to others, you watch what you say
for they can sniff out offense and strain at the leash
while barking their outrage at the feelings you hurt.
For God’s sake, don’t open the door for her!
Too late – you now stand accused:
1. of male chauvinism
2. of outright sexism
3. of playing patriarchy
What the farky??
It’s all in the PC Handbook available online.
Read it over a re-usable cup of “coffee”
surrounded by non-alcoholic Vegan Millenials
and Gen ZZZZZZZ –(sorry I nodded off, now I’m woke!)-
who can soberly rattle off LGTBQIA in a breath
while thumbing a QWERTY touch keyboard to death.
OK Boomer, how does it feel to now know
That Christmas is banned and God is dead;
that the world is really flat and science is divided?
Or should we build more jails or toughen up sentences -
or to ban or not to ban - 
talk-back radio cure-alls for all our woes?
Who really cares what reason and research shows,
when opinion can be protected from such foes
Behind the safety of walls and barriers,
where you take comfort with your own tribe
and from where you can hurl abuse and vilify
using trebuchets and catapults of free speech? 
And the Power Elite tweet, divide and yell,
while the rest of the world goes to hell
in a cauldron of civil war and civil strife,
but not before you check out Netflix,
and turn in for the night,
and intone..
“OK, Google - turn off the light.”

©Chris Christopoulos 2019

Friday, 6 December 2019

Sci-Fi Stories That Inspired Classic Sci Fi Films: “Who Goes There?” by John W. Campbell Jnr. (as Don A. Stuart)

John W. Campbell Jnr's, Who Goes There was first published in the August 1938 Astounding Science Fiction

The classic 1951 science fiction film, The Thing from Another World (featured in this blog) was adapted from this novella.


In the film adaptation, a plant-based humanoid alien life-form and its space craft is discovered frozen in ice in Antarctica. The alien’s species require animal blood in order to survive. This single alien is capable of creating an entire army of invaders from seed pods contained in its body.

John W. Campbell Jnr

In Campbell’s novella, "The Thing" is a malevolent shape-shifting alien creature possessing telepathic powers. In the story, a group of scientific researchers in Antarctica stumble upon this alien life form which has the ability to assume the identity, memories, and mannerisms of the humans. The story follows the humans’ struggle to determine which members of the expedition are still human, and which are alien impostors. The very fate of humanity will depend on them being able to do so!

pdf version link  (Who Goes There?)

Full Film Link (The Thing)

Full Film (Colourised) Version Link  (The Thing)

Friday, 29 November 2019

The Tingler (1959)

A well-paced, imaginative, creepy, absurdly funny and weird offering

Directed by William Castle
Produced by William Castle
Written by Robb White
Music by Von Dexter
Cinematography Wilfred M. Cline
Edited by Chester W. Schaeffer
Distributed by Columbia Pictures
Running time: 82 minutes
Budget: $250,000


Vincent Price as Dr. Warren Chapin
Judith Evelyn as Mrs. Martha Ryerson Higgins
Darryl Hickman as Dave Morris
Patricia Cutts as Isabel Stevens Chapin
Pamela Lincoln as Lucy Stevens
Philip Coolidge as Oliver "Ollie" Higgins



Fright-Filled SHOCK Thriller! 
Ghastly Beyond Belief! 
Amazing NEW TERROR Device 
Makes You A Living Participant 

In Screamarama!!!! 

Can You Take PERCEPTO? 

The screen's first 

Fun Film Fact 

"Percepto!" was a gimmick whereby electrical "buzzers" were attached to the underside of some seats in theaters where The Tingler was screened. The buzzers were small World War II surplus airplane wing de-icing motors. This vibrating device was activated with the onscreen action.

Read on more......

Tuesday, 19 November 2019

Sci-Fi Stories That Inspired Classic Sci Fi Films: “This Island, Earth” by Raymond F. Jones

The 1955 sci-fi classic film, This island Earth is based on the novel of the same name by Raymond F. Jones which was originally published as three novelettes in the magazine Thrilling Wonder Stories: "The Alien Machine" (June 1949), "The Shroud of Secrecy" (December 1949), and "The Greater Conflict" (February 1950)

In the story, a race of aliens have set about recruiting human beings for a group called "Peace Engineers" as part of their scheme to use Earth as a pawn in an intergalactic war between the Llanna and the Guarra. Both the movie and the book proceed along similar lines until they diverge quite considerably about half way through.

Compare and see which treatment you prefer!

Movie Clip

Full Film

Thursday, 14 November 2019

Sci-Fi Stories That Inspired Classic Sci Fi Films: “Farewell To The Master” by Harry Bates

"Farewell to the Master" is a science fiction short story by American writer Harry Bates. The story was first published in the October 1940 issue of Astounding Science Fiction. The 1951 classic science fiction film, The Day the Earth Stood Still (which is featured on this blog) was loosely based on this story.

Clip: Gort Appears

Both the story and the film are quite dissimilar. In Bates’ story, the events are told from the viewpoint of Cliff Sutherland, a free-lance picture reporter and concerns the sudden appearance of a mysterious "curving ovoid" ship on the grounds of the United States Capitol in Washington, D.C.

As in the film version, two "visitors from the Unknown" emerge from the craft: one an 8-foot tall robot called “Gnut” made of green metal, and the other a being called “Klaatu.” You can find out what happens next in this story by downloading the epub version of Farewell To The Master.


Recent Additions!!

Check out the Classic Sci Fi Double Feature Page which for this session features two back-to-back films from 1955:

The Day The World Ended & The Phantom From 10.000 Leagues.

Head off to the Classic Sci-Fi Radio Page where you’ll find a link to a classic radio play adapted from the Doctor Who TV series. This one features the second doctor in "Tomb Of The Cybermen" from 1967.

Wednesday, 6 November 2019

Sci-Fi Future Is Here & Now (Part 13): Surveillance Society Starts At School

In my recent posts, from the “Sci-Fi Future Is Here & Now” series, Surveillance Society Sneaks Into Our Lives & Facing Up To The Future – Now, I outlined some recent examples of the introduction of surveillance technologies and the implications they have for all of us. It seems that we are continuing to sleepwalk our way into a future of increasing acceptance of widespread and pervasive surveillance, along with the further diminution of our personal freedoms and privacy.

Take for instance the Australian Federal government’s facilitation of the introduction of Facial recognition technology into Australian schools.

Nine News Australia

Globally, we already have students in China being required to have their faces scanned before being admitted to their schools. In the United States cameras keep a watchful eye over classrooms.

Here in Australia, five schools have been trialing a pilot system to mark students attendance which has started to set alarm (school?) bells ringing. “Looplearn's” system (trialed at Clarendon College in Victoria) scans a person's face in order to record their attendance in class. It then sends the information to an app, possibly contained on a teacher's laptop or perhaps even on a smartphone.

Looplearn’s introduction in schools is due in part to a federal government grant of almost half a million dollars. The introduction of such a system would no doubt be justified under the pretext of a legal requirement for schools having to record accurate attendance records at regular intervals throughout the school day. Proponents of such a system would claim that it merely automates the process thereby improving attendance recording accuracy and speed for schools by replacing slower existing manual processes.

Despite the company’s assurances that Looplearn is not a surveillance system and that it meets high security standards, there is no information as to what makes it so secure, where (apart from the school) the data is to be stored and who potentially could have access to it.

Should such facial recognition technology become normalized and an accepted part of life at such an early age, then I believe there is cause for concern for the future of society as a whole.

Consider for instance the mass incarceration of one million Muslim Uyghur people in political re-education camps in the far-western Chinese province of Xinjiang. A sinister data collating system called the Integrated Joint Operations Platform has been rolled out locally, making the province one of the most heavily surveilled areas on the planet.

The Chinese Communist Party uses facial recognition technology as part of its surveillance system, such technology having apparently been developed with the able assistance of a number of Australian universities!

The mere fact and manner of how the facial recognition technology is being applied in China should be of grave concern to all citizens of the world.

No.1: Cigarette vending machine incorporating a face recognition system  

Meanwhile back in freedom-loving democratic Australia, it turns out that the federal government has been entertaining plans to roll out an all-pervasive system possessing the ability to link CCTV cameras nationwide with all citizens’ ID photos.

Specifically, in 2017 it was proposed at a COAG (Council of Australian Governments) meeting to establish the “Capability”: a system that will provide law enforcement and intelligence agencies with the ability to match identification photos with CCTV footage images in real time. Under such a system, all federal and state citizen identification image databases would be linked via a central hub.

No.2: Jimmy answering questions

With a continuously activated real time facial recognition surveillance system, anyone who dares to step outside their home will by implication be considered suspect and will have their right to privacy and anonymity removed. But that’s OK, folks! After all, we’d be well and truly used to it since we were kids at school!

We are also supposedly being asked to trust those who are in authority with our personal data and privacy. Now I ask you, have you ever….ever….EVER heard of any occasion in which an agency has transgressed a law involving data retention that was established to safeguard our privacy?? Coincidentally, as I type this, a news report has come on the radio concerning 37 breaches of Australia’s My Health Record system in 2018-19!

Slowly but surely we’re being softened up and manipulated into accepting ever greater degrees of surveillance, without the annoying impediments of public consultation and debate. Take for instance:
  • The failed trial of facial recognition technology at both Sydney and Canberra airports with its incorporation into surveillance systems at last year’s Gold Coast Commonwealth Games.
  • Perth City Council’s recent announced roll out of a trial involving 30 cameras with the capability of recognizing faces and tracking movements.
  • Federal bills enabling Australian passport information to be utilized in the running of the “Capability” system being sent to the Parliamentary Joint Committee on Intelligence and Security for review early last year.
  • The Northern Territory May budget allocation of $375,000 towards its part in the implementation of the facial recognition system.
  • The NSW government's passing of its “Capability” enabling bill making all NSW citizens’ license photos and associated information accessible nationwide, so it can be matched in real time with images taken from CCTV footage.

No.3: Face Tracking & Analysis

The imperatives of national security and counter-terrorism are employed by governments to justify and increase the scale and scope of the surveillance state with ever increasing powers being handed over to law enforcement and intelligence agencies.

As we have seen in relation to the recent press raids by the Australian Federal Police and and its consequent whistle-blower intimidation, such laws that are supposedly designed to deal with terrorists are in fact being turned upon citizens who are just doing their jobs and upholding our society’s democratic values. If that is so, then who 
exactly are these people posing a threat to? 

The current adoption and use of facial recognition technology with its indiscriminate and large-scale recording, storing and analysing of our images violates our right to privacy and allows the State and private companies to intrude into our affairs in an unprecedented unwarranted way.

We can be sure that the temptation will prove to be too great for the authorities to use blanket surveillance technology to monitor people’s participation in political protests and campaigns for change and could ultimately lead to the infringement of the right to freedom of assembly, association, and expression.

Individuals of colour or from minority ethnic groups should be concerned about the adoption and use of facial recognition technology. Algorithms trained on racially biased data sets could misidentify such people and result in unlawful arrests, detentions and discrimination. A false believe in the infallibility of such systems could determine how state agencies or private corporations treat individuals, leading to bad decisions and outcomes, much of which would be based on a technological form of racial profiling.

How would you know 
whether or not that right now your facial image is being contained on a database? How would you know whether or not that right now your image is being shared by a private company or law enforcement agency? How would you know whether or not that right now your image has been included on a watch-list of potential suspects - without your knowledge or consent? If so, how would such a threat to your individual rights and civil liberties make you feel? 

With facial recognition technology being increasingly adopted across much of the world by law enforcement agencies, at airports, railway stations and shopping centres, we are becoming far too easily conditioned to accepting automated and indiscriminate live surveillance of ourselves as we go about our daily business while having our every move tracked.

We must ensure 
that as a minimum we have iron-clad specific legislation that regulates the use of facial recognition technology that restricts the authorities from obtaining our images without our knowledge or consent and using them in ways we would not approve of. 

This means that we the people must given the opportunity to consent to the recording, analyzing and storing of our images in databases. At the moment we are being denied detailed and specific information as to how facial recognition is being and will be used. We are at present being denied having the choice and control over the use of our own images.

Science fiction films and stories have often pondered the possibility of our creating a dystopian-style police state in what would have at one time been taken for granted as being a free and democratic society.

Such science fiction visions of the future could very well become a reality if the silent majority (or “quiet Australians”) continue sit back and watch our civil liberties being incrementally and systematically eroded.

We need to take our cue from those around the world who refuse to remain compliant and quiet in the face of the State's abuse of power such as the protesters in Chile, in Hong Kong, in Iraq, in Lebanon and many other places around the world. 

Added to the appeals for greater democracy, equality, freedom, the ending of corruption and action on climate change, all of us must also demand that we will not have every aspect of our lives monitored and that our right to privacy and anonymity be guaranteed!!

©Chris Christopoulos 2019

Image Attributions

No.1: Cigarette Vending Machine: By Corpse Reviver - Own work, CC BY-SA 3.0, 

No.2: By Jimmy answering questions.jpg: Wikimania2009 Beatrice Murchderivative work: Sylenius (talk) - Jimmy answering questions.jpg, CC BY 3.0,

No.3: By Abyssus - Own work, CC BY-SA 4.0,

Friday, 1 November 2019

The Monster of Piedras Blancas (1959)

A likable low budget monster movie with limited ambitions.

Directed by Irvin Berwick
Produced by Jack Kevan
Screenplay by H. Haile Chace
Cinematography: Philip H. Lathrop
Edited by George A. Gittens
Production company: Vanwick Productions
Distributed by Filmservice Distributors Corporation (United States), Grand National Pictures (United Kingdom)
Running time: 71 minutes
Budget: $29,000


Les Tremayne as Dr. Sam Jorgenson
Forrest Lewis as Constable George Matson
John Harmon as Sturges, the Lighthouse Keeper
Frank Arvidson as Kochek, the Storekeeper
Jeanne Carmen as Lucille Sturges
Don Sullivan as Fred
Pete Dunn as Eddie/the Monster
Joseph La Cava as Mike
Wayne Berwick as Little Jimmy


Read on for more.....

Wednesday, 16 October 2019

Sci-Fi Future Is Here & Now (part 13): Mind-controlled exoskeleton suit

Amazing medical advancements have often featured in science fiction stories in which devices are employed to help the blind to see or the physically impaired to regain their mobility and independence.

The concept of trans-humanism is often explored in sci-fi highlighting the more sinister applications of using devices such exoskeletons to enhance human abilities, especially in relation to military applications.

Brain-controlled exo-skeleton allows paralyzed man to walk

First Steps

Just recently, we have learned that a man has been able to move all four of his paralyzed limbs with a mind-controlled exoskeleton suit.

The patient had suffered an injury to his spinal cord that left him paralyzed and he spent the next two years in hospital.

Then in 2017, he took part in the exoskeleton trial with Clinatec and the University of Grenoble, France.

He began by practicing using the brain implants to control a virtual character, or avatar, in a computer game before moving on to walking in the suit.

By “walking” we are not referring to autonomous walking as the patient needs to be attached to an overhead harness in order to reduce the risk of him falling over.

Proof Of Concept

Although the man’s movements are at the moment far from perfect and the exoskeleton suit is being used only in the lab, this development could in the future lead to the improvement of patients' quality of life.

The patient in question had surgery to place two implants on the surface of his brain (to avoid possible infection), covering the parts of the brain that control movement.

Sixty-four electrodes on each implant read the brain activity and beamed the instructions to a nearby computer.

The computer software then read the brainwaves and turned them into instructions for controlling the exoskeleton into which the patient had been strapped.

When the patient thinks "walk," a chain of movements in the robotic suit are set in motion that in turn move his legs forward. He can also control each of the arms, maneuvering them in three-dimensional space.

At the moment there are limits imposed by the amount of data that can be read from the brain, sent to a computer, interpreted and then sent to the exoskeleton in real-time. Only 32 out of the 64 electrodes on each implant are being used. There is, therefore potential to read the brain in more detail by using more powerful computers and artificial intelligence to interpret the information from the brain.

The implants have been successfully used by the patient to control a wheelchair and there are plans to develop finger control to allow him to pick up and move objects.

The future holds out wonderful possibilities with such medical advancements especially when combined with progress in the areas of spinal cord and nerve regeneration.

Costs & Benefits

On the face of it, no-one can argue with the development and application of such amazing technology that is aimed at the repairing of injured patients who have lost function. Will it, however be made available to everyone with spinal cord injury, or will the cost of it place it out of reach of most who would need it?

One can easily imagine a future in which human beings will be routinely implanted with microchips and electrodes allowing them to control with their minds and the power of thought not just medically assistive devices, but everyday devices such as houselights and appliances.

Technology that we now carry around with us will be incorporated into our attire and accessories and then into our very bodies. Some day, all the functions we can now perform with our smart phones including communication will be able to be performed via mind-control.

Imagine at birth or in infancy being required to not only receive the necessary vaccinations, but also being required to have the necessary technological implants (complete with all our personal information being constantly updated) inserted into our brains and bodies in order for us just to function in a future world of smart homes and smart cities.

The question remains: who or what will be doing the controlling?

Friday, 11 October 2019


The often-used phrase “going forward” tends to be employed by politicians and those in authority to deflect attention away from whatever mess is currently taking place and which they have been responsible for having created in the first place.

Science fiction writers and sci-fi films also deal with matters of “going forward” with a view of allowing us to actually look forward into the future and contemplate what may be in store for us. By doing so, they also enables us to reflect on our present condition.

My poem below attempts to make use of the now hackneyed phrase, “going forward” to highlight some developments we see in society today and consider their possible implications in the future…...a future which is in our hands to do something about right NOW!


“And so...going forward” 

Off we go on linear leaps 
Forward toward a fantastic future, 
Where all will be well and so shiny 
In a social media virtual stupor. 

“And so...going forward” 

Or so we convince ourselves 
As we wade through the mess we made, 
And hope that no-one will notice 
The price for our folly to be paid. 

“And so...going forward” 

To a time where the blind can see, 
All but what is in front of their eyes 
And where many will live forever, 
To endure an eternity of lies. 

“And so...going forward” 

We launch into a race into space, 
But with whom, why and where? 
For national pride and to win! 
Lebensraum! We don’t care! 

“And so...going forward” 

We all get carried along apace, 
And the silent majority fall in line; 
Our progress checked and monitored 
Hup, two, three, four, we march in time. 

“And so...going forward” 

An empire fades and another rises, 
While fools play pretend presidents, 
And tweet out their egos and paranoia 
Like petulant infantile malcontents. 

“And so...going forward” 

Ensnared in a net and a web 
All together, all of us connected, 
Hauled along by codes and algorithms 
To whose cruel rule we are subjected. 

“And so...going forward” 

We stride on followed, friended and liked, 
Arm in arm with like-minded tribes, 
Clutching cherry-picked facts to our breasts, 
With which to beat others with insults and gibes. 

“And so...going forward” 

We reel from Earth’s blast furnace breath, 
And stagger back into stinking waters 
Lapping and rising about our feet, 
While millions are forced to float over boarders. 

“And so...going forward” 

We swap good sense with A.I. nonsense 
And live in smart cities and smart homes, 
Knowing less about more while feeling alone, 
Dependent on Alexas and smart phones. 

“And so...going forward” 

To a place where all is commodified, 
To a time where “freedom” is just a word, 
To a life lived and liked as a valued consumer, 
And where “privacy” is a notion just too absurd. 

“And so...going forward” 

Our evolution is taken in hand, 
Man and machine merge into one, 
While genes are shuffled and sorted 
And all the old certainties are undone. 

“And so...going forward” 

Like Luddite apes with minds held fast 
By rusted chains anchoring us to our past 
Can we be sure we wont trip over in haste? 
“Wisely and slow. They stumble that run fast.” 

And so…

Watch where you’re going! 

©Chris Christopoulos 2019

Wednesday, 2 October 2019

The Killer Shrews (1959)

A mediocre film with laughable creatures, minimal tension and underdeveloped characters but with numerous martinis and a well stocked bar being the only redeeming feature! A film best enjoyed after several martinis. 

Directed by Ray Kellogg
Produced by Ken Curtis, Gordon McLendon
Written by Jay Simms
Music by Harry Bluestone, Emil Cadkin
Cinematography: Wilfred M. Cline
Edited by Aaron Stell
Distributed by McLendon-Radio Pictures Distributing Company
Running time: 69 minutes
Budget: $123,000 (approx.)
Box office: $1 million (U.S.)


James Best: Thorne Sherman
Ingrid Goude: Ann Craigis
Ken Curtis: Jerry Farrell
Gordon McLendon: Dr. Radford Baines
Baruch Lumet: Dr. Marlowe Craigis
Judge Henry Dupree: 'Rook' Griswold
Alfredo de Soto: Mario (as Alfredo deSoto)


A remote and isolated island, 

Infested with flesh-eating monstrous giant shrews! 
Populated by a small band of humans, 
Cut off and stranded by a hurricane! 

How did the vicious shrews come to be there? 
What will become of the trapped humans?

Read on for more.....