Saturday, 15 March 2014

A Tribute To Richard Denning


Sci-Fi Cult Classic Hero

As this blog deals mainly with classic science fiction films from the Golden Age of screen sci-fi, it is no surprise that tribute should be made to actor, Richard Denning. Richard Denning is best known for starring in science fiction films of the 1950s, including Unknown Island, Creature from the Black Lagoon, Target Earth, Day the World Ended, Creature with the Atom Brain, and The Black Scorpion.





Unknown Island

Richard Denning was born as Louis Albert Heindrich Denninger, Jr., on March 27, 1914 in Poughkeepsie, New York (USA). He was the son of a garment manufacturer who relocated and set up shop in Los Angeles when Denning was 18 months old.



Creature For The Black Lagoon

After finishing school, Denninger enrolled at Woodbury Business College and majored in business and accounting, graduating with honours with a master's in business administration. Despite his father wanting him to join the family business and not being enthralled with accounting, Denning took a night-school course in drama, became involved in little theatre groups and competed in a radio contest called, "Do You Want to Be an Actor?", winning a screen test at Warner Brothers in 1936. Warners Brothers, however, wasn't interested in him because he resembled another well-known actor (Errol Flynn) they had under contract. With his heart set on a movie career, Denninger was eventually signed by Paramount, who required him to change his name to Richard Denning since Denninger sounded too much like the gangster, John Dillinger's name! From 1937 to 1942 Denning appeared in over 50 films for Paramount, many being bit roles.



Target Earth



After roles in films including, Hold 'Em Navy (1937), Campus Confessions (1938), Hiding (1939), Queen of the Mob (1940), Adam Had Four Sons (1941-Columbia), Denning secured the leading role opposite Dorothy Lamour in Beyond the Blue Horizon (1942).


The Black Scorpion

Denning’s military service in the Navy as a First Class Petty Officer in the submarine service during World War II disrupted his acting career. It was a year and a half after his discharge from military service before Paramount Pictures offered him any more acting work. During that time, Denning and his family lived in a mobile home in Malibu and Palm Springs. During that period, they made a good living by catching, eating and selling lobsters.


The Day The World Ended

Denning was at last hired to star on radio with Lucille Ball as George Cooper in My Favorite Husband (1948–1951). Apart from starring roles in classic science fiction films, Richard Denning also appeared in the film An Affair to Remember (1957) with Cary Grant. He also shared title billing with Barbara Britton in the detective series Mr. and Mrs. North (1952–1954). He was later cast as Dr Greg Graham in the 1959 series, The Flying Doctor and starred as the title character in the detective series Michael Shayne (1960–1961).




Later in his career, after completing his last film, I Sailed to Tahiti, Richard Denning was offered the role as the governor of Hawaii, Paul Jameson, in the CBS television crime drama series, Hawaii Five-O (1968–1980).




Richard denning was married to 1940s horror film queen, Evelyn Ankers (m. 1942–1985) and then to Patricia Leffingwell (m. 1986–1998). He died on October 11, 1998 in Escondido, California (USA).


A Little Side Note:

Denning’s wife, Evelyn Ankers often co-starred with Lon Chaney Jnr who drank heavily and with whom she did not get along. At one point during a Universal function, matters reach a boiling point between Lon Chaney and Denning when Denning threw his sundae into Chaney's face. Chaney had to be physically restrained from throwing hot coffee into Denning's face!








©Chris Christopoulos 2014

Monday, 10 March 2014

Them! (1954)


A suspense story
A murder mystery
A horror story 
A science fiction story 
A first of its kind




Directed by Gordon Douglas
Produced by David Weisbart
Screenplay: Ted Sherdeman, Russell Hughes
Story by George Worthing Yates
Music: Bronislau Kaper
Cinematography: Sidney Hickox
Editing: Thomas Reilly
Distributed by Warner Bros.
Running time: 94 minutes
Box office: $2.2 million


Cast



James Whitmore: Police Sgt. Ben Peterson
Edmund Gwenn: Dr. Harold Medford
Joan Weldon: Dr. Patricia 'Pat' Medford
James Arness: Robert Graham
Onslow Stevens: Brig. Gen. Robert O'Brien
Sean McClory: Maj. Kibbee
Chris Drake: Trooper Ed Blackburn
Sandy Descher: The Ellinson Girl
Mary Alan Hokanson: Mrs. Lodge 

Don Shelton: Trooper Capt. Fred Edwards
Fess Parker: Alan Crotty
Olin Howland: Jensen



What would cause a little girl to be wandering alone out in the desert? What has happened to have given her sightless eyes that seem to have seen too much? What has stretched the fabric of her psyche to form an unresponsive protective psychological bubble shielding her from horrific memories of real-world horrors too vast for a young innocent mind to grasp? The answer lies with……..





Something not US 

Something dangerous…..




Trailer


The Story




Near Alamogordo, New Mexico, Police Sgt Ben Peterson and his partner find a young girl wandering in alone the desert. To Sgt Peterson it “looks like she’s in shock.”


Who Done It?


The two state troopers investigate a trailer situated “12 Miles North Of The Crossroads” that the little girl was staying in with her parents and sibling. The trailer presents a whirlwind scene of destruction and tragedy. From this point on the police are confronted with “lots of evidence with clues, but (where) nothing adds up.”

Clue 1: Money not taken
Clue 2: Presence of blood
Clue 3: Revolver located
Clue 4: Top of girl’s doll’s head found sliced off.
Clue 5: “This (side of trailer) wasn’t caved in. It was caved out.”
Clue 6: SUGAR
Clue 7: Mysterious print found nearby: “No cat ever lived laid down a print like that.”
Clue 8: The fabric of reality being rent by a strange, unearthly, piercing and pulsating sound that momentarily triggers a reaction from the little girl. The ambulance medic seeks a more earthly and rational explanation for the sound as being the wind which “gets pretty freakish is these parts.”

Gramps Johnson’s Store


And so the investigation is carried along with the desert wind to old Gramps Johnson’s store. Once again a scene of destruction confronts the two troopers, along with more clues. As they look around, the radio broadcast informs listeners about “strides in the field of medicine” with cholera and sleeping sickness having been wiped out in many areas. Human beings are capable of much good, but as it later becomes apparent they are capable of unleashing great evil upon the world, even unwittingly. And outside Death continues to moan and howl across the desert and through the gashes in the walls of Gramps Johnson’s mutilated store.

Clue 1: "Gramps" Johnson is found dead: “Looks like he was dragged and thrown down there.”
Clue 2: The store has also been torn apart from the outside: “This wasn’t pushed in; it was pulled out.”
Clue 3: No cash was taken from the register.
Clue 4: A barrel of SUGAR was smashed open. Ironically the tiny ants on the sugar are disturbed by Peterson’s fingers.
Clue 5: Gramps' Winchester rifle was fired and is now twisted out of shape.

Peterson leaves Ed Blackburn to guard the store alone as he goes by car to check on the little girl and make a report. Upon hearing the strange, pulsating noise outside, Blackburn cautiously investigates. We are left to imagine the nightmarish horror as Blackburn moves off-screen and off-camera gunshots are fired. The strange pulsating sound speeds up and grows in intensity, and Blackburn's death-scream is carried aloft by the wailing wind.

The Plot Thickens


Further clues emerge when Peterson's superior points out that Gramps was a crack shot and had time to fire all his ammunition at whatever attacked him. Added to this is the coroner’s finding as to the cause of Johnson’s death detailing a litany of horrific injuries: a broken neck and back, skull fracture, crushed abdomen, and ……."enough formic acid in him to kill 20 men."



FEDS & Egg-heads 


The FBI sends agent Robert Graham to investigate after the bureau is unable to identify the footprint. He, together with myrmecologists from the Department of Agriculture, Dr Harold Medford and Medford’s daughter, Dr Pat Medford visit the footprint's site, where Dr Harold Medford conducts an examination of the footprint.

As a way of confirming his suspicions, the senior Dr Medford later tries an experiment (a “jolt”) on the Ellinson girl by exposing her to formic acid fumes. She quickly awakens from her catatonic state of “hysteria conversion” and begins screaming and yelling out, "Them! Them!"






For the viewer, anything that can produce that much terror in one so young must by its very nature be evil and must be eliminated. We have enough examples in the real world and our own time of innocent children having to endure the trauma and horrors of death and destruction from monsters of human-kind’s making.

Dr Harold Medford will not at this point reveal his theory as doing so prematurely might “risk a nationwide panic." Shouldn’t people have the right to know about matters that might affect them, instead of being treated like children and wrapped in the security blanket of secrecy?

Ellinson Campsite Encounter






While investigating the Ellinson campsite, Dr Pat Medford is confronted and startled by a giant, eight-foot long scouting ant. The images conjured up in our minds from the clues and the conjecturing up to this point in the film is confirmed by the presence of an impressive-looking Gulliver of the insect world. Pat’s screams of terror bring the upholders of the law racing to her rescue brandishing.38 revolvers which with great alacrity they proceed to empty into the six-legged leviathan with little effect. Dr Harold Medford then instructs Peterson and Graham shoot at the ant's antennae thereby blinding it. This they do and Peterson uses his Thompson submachine gun to extinguish the ant’s life once and for all.




Victory at this impressive skirmish is merely a prelude to a greater battle with the very existence of humanity being at stake. Dr Harold Medford finally reveals his theory that the giant ant was probably mutated by radiation from the first atomic bomb test near Alamogordo 9 years previously. He believes that, “we may be witnesses to a biblical prophecy come true”;


“'And there shall be destruction and darkness come over creation, and the beasts shall reign over the earth.’" 


(OK, so it’s not from the bible. Blah! Blah! Still, it’s biblical / Revelations-sounding and adds a bit of a dramatic flourish to what is after all a good screen story. So get over nit-pickers!)

Dangerous Decent





The Medfords, Graham and Peterson, together with Air Force General O'Brien manage to locate the giant ants' nest by helicopter. Dr Medford states his belief that “time is important, more so than (any of them) realize” and he comes up with a plan to destroy the ants in their nest by bombing them during the hottest part of the day, “noon tomorrow.” The plan involves using enough heat to drive the ants down into their nest and then drop cyanide gas to kill them.

After an impressive display of bazooka-firing at the ants’ nest opening, poison gas bombs are then tossed into the nest. After the obligatory 1950s-style, “this is no place for you or any other woman” followed by the retort, “someone with scientific knowledge has to go” hassle, General Graham, Peterson and Dr. Pat Medford descend into the nest to kill any surviving ants. 


Deep inside the nest, we witness an impressive display of the use of flame throwers and the depiction of giant ants tunnelling into the corridor. Equally impressive is Pat’s commanding and authoritative tone of voice as she orders the others to “Burn it! I said, burn it! Burn everything!” Who would dare argue? Ogle and patronize all you want Ben and Robert, this lady knows what’s what and takes charge-get used to it!


The Beginning Of The End Of…..





It appears that two other queen ants have hatched and along with winged male ants have left to establish new colonies. Dr Harold Medford believes that “we haven’t seen the end of THEM. We all had a close view of what may be the beginning of the end of us.” The dire nature of the emergency is repeatedly reinforced by Dr Harold Medford when he states that “not a police force in the world can handle the panic” that would result from public disclosure. He believes that the ants’ 50 million years’ worth of evolution have bestowed on them the kind of industry, social organisation and savagery that “makes man look feeble.” Dr Medford can only conclude that “Man as the dominant species on earth will be extinct within a year.” In order to avoid generating panic, the government soon launches an investigation of any reports of unusual activity, including sightings of "flying saucers."






Meanwhile, a giant queen has managed to hatch her brood in the hold of a freighter, SS Viking, heading to South America. The giant ants attack the ship's crew and only a few survivors manage to escape and are rescued. The freighter is later sunk by US naval power.

Further reports lead the investigators to a rail yard with a smashed boxcar minus its 40 ton cargo of sugar purloined by the six-legged kleptomaniacs with a sweet tooth. Next, they pay a visit to a state psychiatric hospital in Brownsville, Texas and interview a pilot who swears that while flying his small plane he almost collided with three UFOs “shaped like ants.” Agent Graham while believing his story, requests that “the government would appreciate it if he were kept here” In other words, to have his civil and legal rights violated by being forced to remain hospitalized until further notice. An act worthy of any Soviet or Chinese Communist government of the time!

Information from an alcoholic in a Los Angeles hospital drunk ward together with the body of a mutilated man is connected to a report of a missing man and his two young sons. This leads the investigators to determine that the man had been flying a model airplane with his sons near the hospital in close proximity to the Los Angeles River and that he was killed by the ants.

With martial law and a curfew declared for Los Angeles, the hunt is on to see;

If the two young boys can be saved! 

If the ants’ nest can be destroyed before any other ant escapes! 

If the world as we know it can be prevented from being destroyed by…..






Points Of Interest





The film Them! reflected Cold War era fears and concerns about of the effects of nuclear technology on our planet and human civilisation. In this case the effects are manifested in the form of creatures being exposed to radiation and growing to unnatural sizes. The film was the first of the "big bug" movies whose lineage includes Tarantula, Earth vs. The Spider, Beginning of the End through to Alien and Starship Troopers.

The film's opening title was printed in a vivid red and blue against a black and white background which leaps out at the audience and gives the opening of the film a strong dramatic impact. When the film began production it was originally intended to be in 3-D and Warner Colour. During pre-production when it was time to shoot the 3-D test, the 3-D camera rig malfunctioned and no footage could be filmed. It was consequently decided that the colour and 3-D aspects of the production were to be scrapped. The film was to be shot in black and white and widescreen, but even the widescreen format was scrapped. The opening titles and the flamethrower shots aimed directly at the camera are the only remaining camera set-ups for 3-D in the film.

Among the many features that make this film work include:





  • Build up of suspense: You would have noticed that it is not until quite well into the film that the giant ants make their appearance. A great deal of mystery and suspense is generated before the ants appear on screen. We hear the ants high pitched, pulsating sounds and see their carnage long before we actually see THEM!
  • The impressive performance of Sandy Descher playing the role of the little girl traumatised and terrified out of her wits.


  • The humorous scenes involving Dr. Medford played by Edmund Gwenn. For instance, trying to communicate with his daughter’s helicopter using radio headphones and fumbling the “over” protocol. Edmund Gwenn is perfectly cast as the kindly, eccentric and absent-minded professor.


  • The mechanical giant ants, even without the benefit of CGI technology, looked quite impressive and menacing and were quite a special effects achievement for the time. They were constructed and operated by concealed technicians under the supervision of Ralph Ayers. The giant ants were purple-green in colour. At least we didn’t just have magnified shots of real ants doing ant things and being passed off as monsters.




You may have noticed that there are similarities between Them! and movies such as James Cameron's Aliens (1986.) which featured an orphaned girl “Newt” wandering around a base in shock, an almost hostile and windy setting, passageways with danger lurking around the next turn, alien creatures armed with deadly acid, egg laying queens and hatchery chambers and lots of flame-throwers! I guess modern Sci-Fi blockbusters owe a great deal to such a well-acted, frightening, and engaging 1950s progenitor film as Them!










©Chris Christopoulos 2014

Monday, 24 February 2014

Target Earth (1954)

B-Grade sci-fi meets gangster movie meets pulp fiction



Directed by Sherman A. Rose
Produced by Herman Cohen
Written by Paul W. Fairman, James H. Nicholson, Wyott Ordung, William Raynor
Music by Paul Dunlap
Cinematography: Guy Roe
Editing by Sherman A. Rose
Distributed by Allied Artists Pictures Corporation
Running time: 75 minutes
Budget: $100,000


Cast


Kathleen Crowley (Nora King)
Richard Denning (Frank Brooks)
Virginia Grey (Vicki Harris)
Richard Reeves (Jim Wilson)
Robert Roark (Davis, the Killer)
Whit Bissell (Tom, Chief research scientist)
Arthur Space (Lt. General Wood)
Steve Pendleton (Colonel)
Mort Marshall (Charles Otis)




Storyline


A large city in the US is almost completely evacuated as an advanced force of robots, conjectured to be from the planet Venus, invade and attack. Nora King and Frank Brooks, are among the few who have been overlooked during the mass evacuation. Together with two others they meet, Vicki Harris and Jim Wilson, they face not only the danger from the Venusian robots, but also new dangers in the form of Davis, a psychopathic killer, as well as potential death from “friendly fire.”




Trailer








Spoilers follow below:


The Story


During the opening credits of the film, Target Earth, we find ourselves gradually freefalling through the immensity of space toward the planet Earth. We then zero in on a single city and are finally drawn into a nondescript single room of a rooming house.


Room


The camera focusses on a clock that reads 1.30 and it must be PM since even though the room appears to be in semi-darkness, it is daytime beyond the drawn window blind. The camera then pans to a mirror in which we see the reflection of a woman asleep in her underclothing. We are then given a close-up of a bottle of Dr Andrews sleeping tablets lying opened next to her.

By purely visual means, the audience is invited to mentally join the dots, ask questions and ponder the possible reasons behind this lady’s obvious suicide attempt.

The character, Nora King recovers consciousness and soon discovers that her building has no electricity or water upon which modern civilisation depends for its existence. She is greeted only by an unnerving silence and a view of a streetscape devoid of the human heart and soul that is the lifeblood of any urban setting.

Some people like Nora might wish to die alone, but to live and to be alone-that is something else! How unnerved she must have felt knocking on doors and calling out “Mrs Gordon!” and “Where is everybody?” only to be met by the silent response of total human absence.


Street





As Nora descends to the street, the sense of tension and suspense is heightened by the accompanying percussive music score. Visually, Nora becomes a mere isolated, scurrying diminutive figure scuttling ant-like hither and thither along the deserted city streets with their looming and impassive architecture.






After walking for several blocks, Nora encounters no sign of life anywhere in the city. It is the sign of death that brings the stab of panic and fear to her (and the audience) as Nora stumbles upon a woman's dead body in a doorway whose lifeless death-stare causes her to suddenly and shockingly back into a stranger who seems to have materialized out of nowhere.






We soon learn that this stranger who so suddenly appeared behind Nora is Frank Brooks who tells her that, after he arrived in the city from Detroit the night before, he was robbed, “slugged and dumped in an alley.” He had managed to revive only a few minutes earlier.






As Frank and Nora walk to the city centre, they try to figure out what has happened to the city’s inhabitants. By a process of elimination, they determine that it was probably not the result of a nuclear bomb or germ warfare. As to their own presence in the city, Frank uses the analogy of a sack of sugar to explain it whereby some of the gains seem to always stick to the sack.

Restaurant





Almost unbelievably considering the circumstances, Frank and Nora hear music coming from inside a restaurant. Inside they find a woman, Vicki Harris, playing the piano as her male companion, Jim Wilson, mixes her a drink. Both are rather inebriated and have been “celebrating as though it’s New Year’s Eve.” How differently people react to being placed in similar circumstances!

And the choices they make! For this quartet, the choices boil down to getting out of town or staying and enjoy what’s on offer. They decide to keep on the move by supposedly visiting other night spots.


Street


When they attempt to take a car, the owner’s dead body almost falls out the open door. This is a stark reminder that even in the face of human catastrophes and calamities, objects, artefacts and places were once owned and used by living people with flesh and blood histories and stories to tell.

Suddenly, the four are interrupted by a man, Charles Otis, who explains that he was “trying to get out town, like yourselves.” He had also been checking the cars and discovered that they have all been disabled by having the distributor caps removed.

Otis also says that the area he just came from appeared to have been heavily looted. His description of what has taken place allows the audience to use their imaginations to picture the scene of destruction: the “mess”, smashed windows and so on.

The audience is again invited to use their imagination when the group witness the giant shadow (“it doesn’t look human!”) of a monstrous figure being cast on the side of a tall building. How the human mind has the capacity to create phantoms and monsters from mere shadows as the brain struggles to make sense of the unknown and unfamiliar!


Hotel Lobby





After they decide to hide in a hotel across the street, Otis finds a newspaper with the headlines: "Invasion By Mystery Army. City To Be Evacuated." The accompanying report states that “hostile forces of an unknown origin” have landed fifty miles north of the city. Terrified, Otis tries to escape but is killed in the street by a disintegrating ray, directed at him from the head of a large robot.






Intriguingly, Frank mentions that he has a desk at the “Home Office” which suggests that he is employed by the government. I’m not sure if this is the equivalent of the State Department or like the UKs Home Office which these days is responsible for immigration, security, and law and order, including the police, UK Border Agency, and the Security Service (MI5). We also have further insight into Frank’s background when he suggests that the robot invasion force is “part of an advance patrol” as per his experience in the “last war.”

Seeking a more secure hiding place, the quartet move from the hotel lobby to a suite (402 – 404) on the fourth floor.


Army command post



The discussion between a general and his colleagues paints a fuller picture as to the nature of the enemy and what has been occurring off-screen so far: They are dealing with an “enemy, the likes of which defies description,” that “the invasion was not launched by a power on this earth” and that “the consensus is that they came from Venus.”







We learn that the invaders have already destroyed an airborne division as well as twenty-four planes from bomber command.


Hotel


Back at the hotel, Nora’s observation that the invasion force “must have weapons we have never dreamed of” serves to confirm the scenario presented at the army command post. Frank’s suggestion that the enemy may be from Venus, the only planet capable of supporting life, also confirms what was suggested at the command post. (OK astronomy buffs, we know a lot more about conditions on Venus these days! So what? This is a journey into the “what if?” If you don’t like it, get off!)

As the film, Target Earth is more about character than scientific accuracy; Nora’s revelation to Frank about her suicide attempt is significant. She declares that she wouldn’t care if they dropped the H-Bomb and that she “never intended to wake up at all.” We learn that her husband was killed in a car crash and that she blamed herself for his death with the result that she felt that she didn’t have a reason to live. Now, with the current threat to humanity’s existence, everything has changed for Nora, except that it seems to be “too late to do anything about it.”

What of the other characters that have been thrown into this situation? Vicki and Jim, who have been seeing each other for ten years constantly bicker and squabble. Jim uncharacteristically offers to help Frank find food and Vicki observes that yesterday he wouldn’t have given her a seat on a bus. Jim retorts by stating, “Today the busses aren’t running anymore.” Later on Jim declares to Vicki that “if we ever get out of this dive, we’ll do all our fighting from the same corner.” It’s amazing what a crisis can do to put things into perspective and enable people to work out what really is important in life.


Army command post


The general wouldn’t be a military man if didn’t order atomic artillery and guided missiles to be readied and that’s exactly what he does. Just then he receives news that (as luck would have it) a deactivated robot has been found. This looks like a job for a team of scientists to attempt to discover what has caused the robot to become inoperative. 






Laboratory


The chief scientist determines that the robots are driven by electro-magnetic impulses, that they can duplicate human motion, are impervious to bullets and are “incapable of pain, fear or compassion.” Qualities expressed by later screen robotic descendants such as Cybermen, Terminators and so on.






Hotel


Back at the hotel, another character has been thrown into the mix in the form of a psychotic killer named Davis, who escaped from custody during the evacuation. He has broken into the suite and holds the group at gunpoint. He states that he “wouldn’t stand a chance alone and without a gun.” He informs Nora that he knows a way out of the city by means of a sewer and intends for her to accompany him. He also intends to use the others as decoys.



Laboratory


Science to the rescue! Hurrah! A means seems to have been discovered to destroy the lethal, beam-generating, cathode ray tube located in the robots' heads.

Hotel Lobby





As Davis is about to escape, Vicki bravely chooses to confront him, which results in him choosing to act in the only way he knows how: by shooting and killing her. Jim then attacks Davis and violently chokes him to death, which is an understandable instinctive and emotional reaction rather than a choice. Most of us would do anything to protect, defend and even avenge those who are most precious and dear to us.




Hotel Roof





The heightened tension is maintained by the sudden appearance of a robot smashing through the hotel lobby's window and its mechanical nosferatu-like pursuit of Frank, Nora and Jim up the stairs leading to the hotel's roof. With the elevation of the characters to the highest level of the hotel building as death in mechanized form looms ever closer, comes an elevation of the best of human qualities and heroic choices of the characters with Jim’s attempts to divert the robot away from Nora and Frank and his being killed by the robot's beam.





Just as the robot is about to disintegrate Frank and Nora with its beam, Army vehicles arrive on the scene. They are equipped with loudspeakers that emit a high frequency tone that can shatter the robots' cathode ray tubes and render them inoperative. By this means the roof-top robot is disabled and the good planet Earth can now rest a bit easier……until next time when the Venusians finally discover the joys of digital, LCD & LED technology! Is that a giant shadow I see on the wall across the road?





Points Of Interest




The movie, Target Earth was based on the 1953 short story, "Deadly City" by Paul W. Fairman.





Target Earth was sneakily filmed on the deserted streets of Los Angeles early one Sunday morning, without the necessary permits. The film's story, however, is based in Chicago.

I know there are those critics out there who salivate at the prospect of pointing out the film’s low budget, lack of sophisticated special effects and so on. For me the main feature of the film is its basic premise: An assorted group of people finding themselves in an abandoned city, being forced to contend with an alien menace and having to make choices that have significant personal and collective consequences.




As is well-known, only one robot was constructed and it was used for all scenes in the film, Target Earth. The robot army and alien invasion is conveyed to us as being more like an impending threat instead of an immediate in-your-face-here-come-the-explosions-and-one-damn-thing-after-another presence. With the alien robots being off screen most of the time, the threat they pose seems to work more on a psychological level which seems to mirror the nature of the fears experienced by many people at that time. Who exactly is the enemy and what kind of threat do they pose to us?



Sure, there’s a single robot that looks a bit like a lumbering washing machine with legs. Get over it! The film was made in a time long before the advent of computer generated special effects, and technology like the internet, laptops, tablets and mobile phones! Try to appreciate the film in the context of what it tried to achieve with its limited budget and that it was the 1950s, a time of fear concerning the Russians and the widespread sightings of UFO's. Add to this the fact that the film’s focus is more on character studies than on special effects which might be a priority for many of today’s audiences and critics who are used to being fed on a diet of films laden with computer generated effects, puerile non-stop action, video-game oriented presentations, threadbare story lines and hollow one-dimensional characters.




What makes this film work quite well is the sense of unease and tension that is maintained throughout most of the first half of the movie followed by the character revelations in the second half. Add to this not only the imminent threat posed to the humans by the alien invaders, but also the potential threat being posed by General Wood and the military. The group in the hotel are unaware that the city could be destroyed by tactical nuclear weapons at any moment-a fact that the audience is quite well aware of.




Descriptions of what takes place off-screen / stage; the various choices that characters make when confronted by circumstances; tension heightened by what the audience knows and the characters don’t know…….the very tools of trade used by none other than a certain Mr Shakespeare! I wonder if he would have enjoyed Target Earth?












©Chris Christopoulos 2014