Showing posts sorted by date for query george pal. Sort by relevance Show all posts
Showing posts sorted by date for query george pal. Sort by relevance Show all posts

Wednesday, 25 December 2024

The Time Machine (1960)


George Pal’s film version brings H.G. Wells' original story to life with a good combination of suspense, action and effective special effects.

Directed by George Pal
Screenplay by David Duncan
Based on The Time Machine,1895 novel by H. G. Wells
Produced by George Pal
Narrated by Rod Taylor
Cinematography: Paul C. Vogel
Edited by George Tomasini
Music by Russell Garcia
Production companies: Metro-Goldwyn-Mayer, Galaxy Films
Distributed by Loew's
Running time: 103 minutes
Budget: $827,000 - 829,000
Box office: $2.61 million


Cast


Rod Taylor as H. George Wells
Alan Young as David Filby/James Filby
Yvette Mimieux as Weena
Sebastian Cabot as Dr. Philip Hillyer
Tom Helmore as Anthony Bridewell
Whit Bissell as Walter Kemp
Doris Lloyd as Mrs. Watchett
Paul Frees as voice of the Rings

Trailer

A man’s quest for a future Utopian society.
The means: travelling forward in time in a machine.
The Journey: different time periods leading to increasing disillusionment.
Final destination: a civilisation several thousand years into the future divided into cannibalistic subterranean and docile gentle surface dwellers.

But is there any escape from the one constant that might transcend time itself: human nature in all its facets?

Read on for more.....

Saturday, 16 November 2024

Beyond the Time Barrier (1960)


Although a low-budget film, it is quite entertaining and engaging which is a tribute to the director and the able performances of the cast.


Directed by Edgar G. Ulmer
Screenplay by Arthur C. Pierce
Produced by Robert Clarke
Cinematography: Meredith M. Nicholson
Edited by Jack Ruggiero
Music by Darrell Calker
Distributed by American International Pictures
Running time: 75 minutes
Budget: $125,000


Cast


Robert Clarke as Maj. William Allison
Darlene Tompkins as Princess Trirene
Arianne Arden as Capt. Markova
Vladimir Sokoloff as The Supreme
Stephen Bekassy as Gen. Karl Kruse
John van Dreelen as Dr. Bourman
Red Morgan as Captain
Ken Knox as Col. Marty Martin
Don Flournoy as Mutant
Tom Ravick as Mutant
Neil Fletcher as Air Force Chief
Jack Herman as Dr. Richman
William Shapard as Gen. York
James Altgens as Secretary Lloyd Patterson
John Loughney as Gen. Lamont
Russell Marker as Col. Curtis



Trailer

Report on March 5th 1960 ncident involving lead test pilot, US Air Force Major Bill Allison.

Sands Airbase Intelligence Division

Location: Sands Air Force Base

Context: X-80 high altitude flight preparation for space program.

Contents:

  • Transcript of initial de-brief interrogation
  • Transcript of tape recording by Major Allison recounting his experiences from time of test flight commencement until his return in the X-80.
Summary:
(based on Maj Ellison’s testimony)


  • Upon his first landing at Sands airfield after the high altitude test, Maj Allison found the base and its surrounds to be totally desolate and devoid of any life.
  • Allison had come to believe that he had broken the time barrier and had arrived in the future in the year 2024.
  • Maj Allison went on to discover a subterranean world called the Citadel.
  • He also learned that a plague occurred due to nuclear fallout not long after our own era.
  • With the exception of two prominent citizens of the Citadel, one being designated The Supreme and the other, The Captain, everyone else, as a result of the plague was deaf, mute and sterile.
  • The Supreme's granddaughter, named Princess Trirene, may not have been afflicted by sterility and had according to the major the ability to read minds.
  • Allison claimed that three others in the Citadel had also like him found their way into the future, having arrived from different post-plague years.
  • The major also reported that those in authority suspected hum of being a spy and and were determined to keep him there in order to procreate with the Supreme’s grand-daughter due to the sterility problem and the threat to their populations’ survival.
  • Maj Allison made it his mission to return to 1960, in order to attempt to prevent the plague from occurring by convincing those in authority the truth of what he experienced.
  • Maj. Allison managed to return to Sands Airbase but with significant and inexplicable physical consequences to himself, in addition to possible emotional and psychological effects that could have a bearing on the validity of his account, the transcript of which along with the original recording are contained with this report.


Read on for more…….

Thursday, 22 June 2023

The Power (1968)


Certainly not a classic sci-fi film, but it is an entertaining oddity with an impressive supporting cast and good production values.


Directed by Byron Haskin
Written by John Gay
Based on “The Power” by Frank M. Robinson
Produced by George Pal
Cinematography: Ellsworth Fredericks
Edited by Thomas J. McCarthy
Music by Miklós Rózsa
Distributed by Metro-Goldwyn-May



Cast

George Hamilton: Jim Tanner
Suzanne Pleshette: Margery Lansing
Richard Carlson: N. E. Van Zandt
Yvonne De Carlo: Sally Hallson
Earl Holliman: Talbot Scott
Gary Merrill: Mark Corlane
Ken Murray: Grover
Barbara Nichols: Flora
Arthur O'Connell: Henry Hallson
Nehemiah Persoff: Carl Melnicker
Aldo Ray: Bruce
Michael Rennie: Arthur Nordlund
Miiko Taka: Mrs. Van Zandt
Celia Lovsky: Mrs. Hallson
Vaughn Taylor: Mr. Hallson
Lawrence Montaigne: Briggs
Beverly Powers: Sylvia
Forrest J. Ackerman: Delegate A.C. Fogbottom
Daniel Elam: Scientist
William Burnside: Fun House Onlooker
Ken DuMain: Fun House Onlooker
Frieda Rentie: Fun House Onlooker
Boyd 'Red' Morgan: Merry-Go-Round Operator
Robert Deman: Young Man
Party Guests:
David Armstrong
Minta Durfee
Ed Haskett
George Holmes
Kenner G. Kemp
Joseph La Cava
John Pedrini
Anthony Redondo
Hank Robinson
Arthur Tovey
Chalky Williams

Key Scene


The power of telekinesis used not only to move just objects!

Members of a special project team being killed off one by one by means of telekinesis!

Who has the mind power to commit murder?

How can he or she be stopped?


Biologist Dr. Jim Tanner is chairman of a committee of scientists (The Committee on Human Endurance), based at the laboratory of the Space Research Commission in San Marino, CA. Tanner and the committee is tasked with tasked with;
  1. Determining the limits of human endurance involving the human body's ability to survive pain.
  2. Ascertaining the factors that would enable a human being to survive extreme physically stressful situations and make instant life-saving decisions in an emergency.
Little does Tanner realize, that he will soon find himself being pushed to the very limits of his own endurance…….


Read on for more....

Friday, 3 March 2023

Sci-Fi Film Fiesta - Volume 11: 'A Tribute To.....' Final Volume in the eBook series


This 11th volume “A Tribute To….” of the Sci-Fi Film Fiesta series is dedicated to the actors, directors, producers, special effects artists, writers and other involved in the pioneering work of science fiction movie making.

Part 1: A Tribute To…. focuses on some of the prominent directors, producers, actors and special effects people involved in science fiction films of the 1950s. Brief biographical information is provided on each one, along with their contribution to the pioneering work of sci-fi film-making in the 1950s.

Part 2: A Tribute To Classic Sci-Fi Ladies provides a brief introduction to each of the female co-stars and supporting actors in the films featured in the Sci-Fi Film Fiesta eBook series.

Part 3: A Tribute To Science Fiction Authors references some of the works of fiction that inspired and were adapted into various classic 1950s sci-fi films.


CONTENTS

Introduction

***Part 1: A Tribute To….

Ray Harryhausen
George Pal
Roger Corman
Richard Carlson
Jack Arnold
Richard Denning
Faith Domergue
Hugh Marlowe
Whit Bissell
Morris Ankrum
Ishirō Honda
Russell Johnson
John Zaremba
Peter Graves
Beverly Garland
Paul Birch
Peggie Castle
Paul Blaisdell
Val Guest
Willis O'Brien
John Agar
Bert I. Gordon
Eugène Lourié
Warren Stevens
Yumi Shirakawa
Robert Wise

***Part 2: A Tribute to…..Classic Sci-Fi Ladies

***Part 3: A Tribute To…..Science Fiction Authors
(& The Inspiration They Provided)

John W. Campbell Jnr
Paul W. Fairman
W. J. Stuart
Harry Bates
Raymond F. Jones
Philip Wylie and Edwin Balmer
John Wyndham
Jack Finney
William F. Temple
H.G. Wells
John Mantley
Curt Siodmak

I hope you'll enjoy this final volume of the Sci-Fi Film Fiesta eBook series along with the other volumes. My original intention in writing about classic science fiction films of the 1950s was to present it in the form of a book but I instead chose to do so via this blog. Having completed featuring sci-fi films of the 1950s and moving on to films of the 1960s through to the 1980s, I decided to go back to my original idea. With the amount of information such a book would encompass, I then decided to present it in a freely available eBook format consisting of 11 manageable volumes devoted to various general themes for easy reference.


The Complete Sci-Fi Film Fiesta series:

Volume 1: “Here Be Monsters”
Volume 2: “Into Space”
Volume 3: “Other Worlds”
Volume 4: “Journeys Within”
Volume 5: “Alien Contact”
Volume 6: “Alien Invasion”
Volume 7: “The End Is Nigh!”
Volume 8: “Big Bugs & Crazy Critters”
Volume 9: “Accidents & Experiments”
Volume 10: “Supersized & Miniaturized”
Volume 11: “A Tribute To….”


Also available at....



FREE EBOOKS.NET

Monday, 20 July 2020

Sci-Fi Stories That Inspired Classic Sci-Fi Films: “When Worlds Collide” (1933) by Philip Wylie and Edwin Balmer



By Source, Fair use, https://en.wikipedia.org/w/index.php?curid=3574871



Hello readers! Good to be back after a bit of a break from all matters blogging. I thought I might start off with a novel I have just finished reading which I hope you will enjoy if you haven't read it yet.......

Spoilers follow below......

“When Worlds Collide” is a 1933 science fiction novel co-written by Philip Wylie and Edwin Balmer. It was first published as a six-part monthly serial (September 1932 to February 1933) in Blue Book magazine, illustrated by Joseph Franké.

The story was adapted into a film in 1951 with George Pal’s sci-fi classic version of “When Worlds Collide” which is featured in this blog. The film was produced by George Pal and directed by Rudolph Maté.

In both the book and film versions, a select group of humans with superior intelligence are to board a spaceship constructed to escape the earth which is destined to be obliterated by an oncoming planet. If they survive the initial escape into space, the remnants of the human race will settle on another planet where they will found a human colony.

In Wylie and Palmer’s book, Sven Bronson, a Swedish astronomer working at an observatory in South Africa, discovers a pair of rogue planets, Bronson Alpha and Bronson Beta,both of which will soon enter the Solar System.

It is calculated that in eight months’ time, the two intruding planets will pass close enough to cause catastrophic damage to the Earth. After they swing around the sun sixteen months later, the larger of the planets, a gas giant called Bronson Alpha will return to destroy the Earth before it leaves. On the other hand, Bronson Beta which appears to be more Earth-like and potentially habitable will remain and achieve a stable orbit. It is on Bronson Beta that hopes for the continued survival of the human race will depend.

Cole Hendron leads a group of scientists who work desperately to build an atomic rocket that will contain a select number of people, together with animals and equipment and transport them to Bronson Beta before the earth is destroyed. It turns out that only 100 out of about thousand people Hendron had recruited will be able to take up places on the rocket. It seems also that other nations have similar projects underway.

Hendron is assisted by his daughter Eve who forms a relationship with young business man, Tony Drake and a kind of complicated love triangle develops between Tony, Eve and Ransdell during the course of the story. Not to mention the complicated moral and ethical questions that arise with having to start civilisation from scratch on a new planet with a limited number of people. Monogamous love relationships and pairings may not suit the new circumstances!

In preparation for the first encounter, vulnerable coastal regions in the US are evacuated along with the “planting vast areas of land in crops.” When the expected planetary encounter occurs, massive tidal waves sweep inland and the earth is wracked by tremendous volcanic eruptions and earthquakes accompanied by raging wild weather. The images conjured up by the descrption of the upheavals and destruction are more vivid than what appeared on screen in the film version.To add cosmic insult to injury, Bronson Alpha approaches close to and destroys the Moon.

Meanwhile, the US President has taken up residence in Hutchinson, Kansas, which has become the temporary capital of the United States. Massive geological transformations have occurred with flooding of the entire Southeast region along with the Great Lakes emptying into the Saint Lawrence region, and Connecticut turning into an island archipelago.

South African pilot David Ransdell and two comrades use a plane to survey the scenes of destruction. During a battle with a desperate mob, the three intrepid souls are wounded but are able to bring back to the encampment a sample of a rare and essential heat-resistant metal which can be used to make rocket tubes capable of withstanding the heat of the atomic exhaust.

With just five months to go before the final encounter, a desperate battle erupts between attacking mobs and those defending the camp. Over half of Hendron's people perish in the assault before they use the rocket in a novel way to defeat their assailants. Look for the wonderfully ‘surreal’ description of the man on horseback at the end of the battle! The sheer desperation involved in the fight for survival is very effectively conveyed in the story.

With the newly acquired metal helping to solve the rocket tube heating problem, a second, larger ship is constructed that can carry all of the remaining survivors in Hendron’s camp.

With the end of the earth imminent, both rockets manage to take off but lose contact with each other. Other ships also manage to launch from Europe but the French rocket is seen to explode in the upper atmosphere.

The first rocket rocket carrying Hendron makes a successful landing on Bronson Beta, which appears to be habitable. It is not known however if anyone else had made it.


************




By Source, Fair use, https://en.wikipedia.org/w/index.php?curid=11348604


The 1951 Technicolour Paramount Pictures film version “When Worlds Collide” starring Richard Derr, Barbara Rush, Peter Hansen, and John Hoyt is as has already been noted based on the 1933 science fiction novel of the same name.

The film version tells the story of the Earth being destined to be destroyed by a rogue star called Bellus and of a space ark being constructed to transport a select group of men and women to Bellus' single planet, “Zyra.”

South African Pilot David Randall is given the task of flying top-secret photographs from South African astronomer Dr. Emery Bronson to Dr. Cole Hendron in the United States. Hendron, with the assistance of his daughter Joyce, confirms the undeniable fact that a rogue star named Bellus is on a collision course with Earth.

Hendron warns the United Nations that the world will end in eight months’ time and makes an appeal for the immediate construction of "arks" to transport a select few to Zyra, the planet orbiting Bellus. Despite it being the only hope for the human race to be be saved from extinction, Hendron’s claims and appeal are rejected by the UN delegates.

Wealthy benefactors step in to arrange for a lease on a former proving ground to build an ark while wheelchair-bound business magnate Sidney Stanton offers to finance the construction of the ark on condition that he select the passengers. Hendron insists he only has the right to buy a seat aboard the ark. The ugly and selfish nature of the Stanton character is focussed on to a greater extent in the film version as opposed to the rather brief treatment of a similar somewhat mentally warped and deranged character in the book.

Joyce convinces her father into hanging on to the intrepid Randall (whom she seems to take a liking to), much to the displeasure of her boyfriend, Dr. Tony Drake.

As Bellus inexorably approaches, it becomes evident that Hendron was right all along. Everyone gets into gear with spaceships being constructed in other nations, martial law being declared and populations in coastal regions being evacuated to inland cities.

When Zyra approaches first, massive earthquakes, volcanic eruptions, and tidal waves occur around the world. Later, Drake and Randall drop off supplies to people in the surrounding area by helicopter. A moment of truth arrives when Randall gets off the copter to rescue a little boy stranded on a rooftop in a flooded area. Drake thinks about resolving the eternal love tirangle situation by flying away, but being the good fella he is decides to return. What a guy!

With a constant, urgent and insistent countdown to destiny, the rocketship is loaded with food, equipment, necessary provisions and animals. The passengers are to be then selected by lottery, with places already reserved for Hendron, Stanton, Joyce, Drake, pilot Dr. George Frey, Randall and the young boy who was rescued. This brings the number of passengers to 45.

Randall, believing he lacks any useful skills for starting civilisation anew, pretends to draw a lottery number, but our “what a guy” Drake informs Randall that Frey has a heart condition and that if he doesn’t manage to survive the blackout during lift-off, Randall will be needed as the co-pilot. What a guy!

Meanwhile, the stone-hearted cynical Stanton has been busily stock-piling guns knowing what measures the desperate lottery losers would be likely to take to save themselves. A student of human nature he fancies himself to be no doubt!

Perhaps….but we see then witness a young man who decides to turn in his winning number because the one he loves was not selected. Suddenly, Stanton's brow-beaten constantly demeaned assistant, Ferris claims the number at gunpoint, but he is then shot dead by Stanton.

Danger for the whole enterprise lies closer to hand when just prior to take-off a desperate mob of lottery losers riot. Using Stanton's weapons, they try to force their way aboard the ark.

In another of those “what a guy” moments, Hendron remains with Stanton outside the ship when it launches so that it will consume less fuel on the journey to Zyra. Besides, he feels that starting a new civilisation should be a task for the young. Impelled by sheer desperation, Stanton manages to stand up and futilely attempts to walk toward and board the departing spaceship.

Unlike the survivors in the book’s story, the survivors in the film verson are rendered unconscious by the g-force of acceleration and fail to witness Earth's destruction. In the book version, the ark’s occupants watch on “as the nebulous atmosphere of Bronson Alpha touched the air of earth and then the very earth bulged.”

Randall comes to and sees Dr. Frey relatively chipper, awake and piloting the ship. He then realizes “what a guy” Drake truly is. But his piloting skills are soon required since the fuel is running low as the ship enters Zyra's atmosphere. Randall manages to glide the ship to a safe landing on the surface of Zyra.

Zyra does indeed turn out to be habitable. We close with David, Randall and Joyce walking hand-in-hand down the ramp as a new day dawns on a very ordinarily painted representation. At least in the novel there was an actual road upon which they walked and indications of a previous civilisation.

Please feel free to read my review of the film, “When Worlds Collide.”

As to the novel? Well, I highly recommend that you read it. It’s a very lively well-paced writtten story but the style of language along with certain references are definitely from a by-gone era. I know that the collective heads of the PC Brigade will explode upon reading about Kyto the “little Jap” manservant of Drake. Then there’s the matter of eugenics with the selection of suitable candidates for the journey to Bonson Beta. Let’s not even get started on the portrayal and role of women despite the inclusion of a quite for the time strong female character in Eve. I can just see idiots trying to slap disclaimers all over the novel or airbrush or burn it out of existence!

What you do get in the novel is strong sense of what the characters are like and the relationships they have with each other. Also, the descriptions of the destruction caused to the Earth by the approach of Bonson Alpha, along with the desperate struggle with the invading mobs upon the encampment were very detailed and vivid. All this and more in a rollicking good almost ‘first of its kind’ story.





It’s worth considering the recent theory that a planet given the name of Theia collided with the early Earth around 4.5 billion years ago, with the resulting debris gathering to form our Moon.

It is believed that Theia was about the size of Mars and that it might have formed in the outer Solar System and that much of Earth's water originated on Theia.

It’s also worth mentioning that a book called “Worlds in Collision” by Immanuel Velikovsky was published in 1950. Velikovsky suggests that around the 15th century BC, the planet Venus was ejected from Jupiter as a comet or comet-like object and passed near Earth!

Finally, many readers will recall the events of July 1994 when fragments of comet Shoemaker-Levy 9 crashed into Jupiter over a period of several days, providing the first direct observation of an extraterrestrial collision of Solar System objects.


I would definitely put “When Worlds Collide” (1933) by Philip Wylie and Edwin Balme on your sci-fi reading bucket list and then follow it up with a viewing of the film version.

The sequel,” After Worlds Collide,” deals with the fate of the survivors on Bronson Beta.


PDF LINK

Full Film Link

©Chris Christopoulos 2020

Wednesday, 22 January 2020

Sci-Fi Stories That Inspired Classic Sci-Fi Films: “The War of the Worlds” by H.G. Wells


Science fiction novel, The War of the Worlds was written by H.G. Wells and was first published serially by Pearson's Magazine in the UK. and by The Cosmopolitan magazine in the US. in 1897.

The War of the Worlds is set in the late 1890s in England and is one of the earliest stories to feature an alien invasion of Earth and the subsequent conflict between humanity and the invading extraterrestrials

Wells’ novel is a first-person narrative of both an unnamed protagonist in Surrey and of his younger brother in London as southern England is invaded by Martians.

Wells may have used the British impact on indigenous Tasmanians as a model or template for his own story which offers a consideration of what could happen if the technologically advanced Martians did to Britain what the British had done to the Tasmanians. 


(audiobook)
or
(audiobook)




Orson Welles' 1938 radio broadcast of War of the Worlds was part of CBS’s "Mercury Theater on the Air" program and was based on the H.G. Wells’ story of a Martian invasion. It achieved notoriety through the widely reported effect it had by frightening many listeners who thought Martians had really invaded and were attacking.

During the broadcast, Welles was to interrupt a music performance with apparent news reports of a Martian invasion in Grover's Mill, New Jersey. Many startled listeners missed the broadcast's opening, which mentioned that it was a work of fiction. The show was supposed to have caused widespread panic and hysteria across New Jersey and the country. More than likely it generated a lot more anger and annoyance!


War of the Worlds 1938 Broadcast
(download)


The year 1953 saw producer George Pal's and director Byron Haskin’s film adaptation of Wells’ novel. In the film, a small town in California is attacked by Martians as a prelude to a worldwide invasion. At first the residents of the town are thrown into a bit of a flap when what looks like a flaming meteor lands in the hills. Scientist Clayton Forrester and Sylvia Van Buren are among the first to arrive at the site of the meteorite crash. Soon after, an alien war machine emerges and begins killing and destroying with a death ray. The aliens possess machines that fly and hover and are protected by force fields. Even the military is no match for these alien invaders. The race is on to discover the aliens' weakness – if indeed they have one!

Trailer





In 2005, Steven Spielberg released his adaptation of War of the Worlds. The film can be seen as being a reflection of the time and events surrounding the 9/11 terrorist attacks and their aftermath. The story begins in New York City, and this is where the alien attack first begins. The scenes that follow the destruction of the city would remind audiences of the horror and trauma that accompanied the events of 9/11.


Trailer



The new BBC One three-part series is set in Surrey at the turn of the 20th century, in keeping with Wells’ original story. Although I haven’t as yet seen it, I’m hoping that this adaptation does not follow the trend that has been evident in many of today’s film and TV efforts and depictions: an infusion of feminist effluvia, modern PC / inclusiveness check box criteria and inappropriate grafting of 21st century concerns on to a past historical setting. Then again, despite recent sci-fi on-screen disappointments I probably ought to reserve judgment! In the end, it's a testament to Wells' story that it keeps re-emerging so long after its original publication.


The War of the Worlds BBC (2019) Clip


Additional Note:

I have indeed since been fortunate enough to watch BBC One’s War of the Worlds and I must say that overall, it is quite well worth watching. It is good to see yet another well-made science fiction TV series coming out of Britain.

There do seem to be a few references being made back to HG Wells’ original story from the opening narration, setting and time period, to the nature of the alien tripod machines through to the consideration of the effect of British colonialism. I felt that this last point could’ve been made in a far more considered and reflective manner than was the case.

The treatment of the story is not surprisingly made with modern audiences in mind. For instance, unlike Wells’ story, we have in addition to male characters, a central unconventional female protagonist who tries to make her way through a rather admonishing conservative patriarchal society. At least it is not laid on too thickly and rammed too forcefully down audiences’ throats as has often recently been the case in other films and series.

Instead of focusing exclusively on the carnage and destruction being visited on the earth by the aliens, the series almost uses that as a backdrop to an exploration of the relationships between the characters and the kinds of choices they find themselves forced to make depending on the circumstances they find themselves in.

I must say that I had to modify my original preconceptions about the series and found myself being pleasantly surprised. My recommendation is that you should go ahead and enjoy it for what it is and try not to be too nit-picky about it.


BY THE WAY!

Just to whet your appetite......


Here’s a link to a full-length presentation involving a fictional Martian (based on War of the Worlds) invasion of the earth in 1913 in the style of a docudrama. The Great Martian War 1913–1917 is a 2013 Canadian/UK made-for-television science fiction presentation, that appears as if it is an episode from the History TV Channel. WOW!






©Chris Christopoulos (2020)

Friday, 22 February 2019

Father of Science Fiction & Fantasy - Oscar Winner George Pal Interview Preservation - GoFundMe


George Pal was as you may know is known as The Father of Science Fiction and Fantasy in Modern Film. In the annals of Hollywood, Academy Award winner George Pal will always be remembered as a titan, a brilliant visionary who profoundly shaped the art of motion pictures. As an animator, Pal was a pioneer of stop-motion animation known as Puppetoons ™ and a peer of Walt Disney. In the 1950's as a producer and director of live-action films, he brought to the screen such science fiction and fantasy classics as "The War of the Worlds", "The Time Machine", "When Worlds Collide", "Destination Moon", "Tom Thumb", "Houdini", "Atlantis the Lost Continent" "The Wonderful World of the Brothers Grimm", "7 Faces of Dr. Lao", "The Power", "Doc Savage: Man of Bronze" and others. Pal's cinematic legacy can be traced in the works of Walt Disney, George Lucas, Steven Spielberg, Gene Roddenberry, Tim Burton, James Cameron, Peter Jackson and dozens of others.

Link to George Pal Tribute on this blog: 




The original 1 inch 'B' NTSC video format used in the production of The Fantasy Film Worlds of George Pal - the only film document ever done on Pal - are long out of use. To make matters worse, only 2 working 'B' NTSC 1 inch videotape machines exist that can aid in the digitization process. There is no telling how long these machines will last or their working parts as they are no longer in existence! 


It goes without saying, this is a severe race against time to preserve what represents the only film document ever made on George Pal and the beloved one of a kind icons that worked with him.... most of whom have sadly passed on.

The historical importance of preserving and digitizing these interviews cannot be understated!

Talent interviews to preserve includes: Rod Taylor, Alan Young, Tony Randall, Tony Curtis, Ray Harryhausen, Ray Bradbury, Gene Roddenberry, Charlton Heston, Janet Leigh, Russ Tamblyn, Barbara Eden, Ann Robinson, Roy E. Disney, Ward Kimball, Robert Wise, George Pal, Mrs. George Pal, David Pal, Gae Griffith, Walter Lantz, Gene Warren Sr., Wah Chang, Jim Danforth, Robert Bloch, Chesley Bonestell, Albert Nozaki, William Tuttle, Duke Goldstone, Bob Baker and Phil Kellison.

The digitizations will be used to upgrade existing productions. Eventually they will be find a home with film footage companies and possibly donated to an educational institution yet to be determined.

If you’d like to help with preserving these irreplaceable interviews about one of the most influential figures in the history of motion pictures and the science fiction/fantasy genre, please use the Link Below:


https://www.gofundme.com/fantasy-worlds-of-george-pal-film-preservation


Thursday, 28 December 2017

Destination Moon - Once Again!




The poem that follows was inspired by the film that really opened the classic age of sci-fi films of the 1950s, George Pal’s somewhat eerily prescient, Destination Moon (1950). I also had in mind President Trump’s recent directive to NASA to have Americans return to the moon supposedly as a stepping stone to Mars and beyond. NASA has had its sights firmly set on missions to Mars and I wonder what impact this directive will have on NASA and the future course of space exploration. A lot will depend on finding the right answer to the questions posed in the last stanza of the poem I suppose. That may have been an important factor in the previous manned missions to the moon….finding the right answer.


Anyway, I close this year with my little poem and wish you A Happy New Year! Never stop wondering…..What If?




Once more unto the Moon, dear friends, once more!

We chose to go to the moon…..
In a George Pal sci-fi spectacular
Just a mere five years after The War,
When Truman was President of these here United States
And H-bomb production pushed up the stakes.


We chose to go to the moon….
In glorious Technicolor and mono sound
As Korea became yet another battleground,
While industry grew fatter with profit,
And a baby boom got set to sky-rocket.

We chose to go to the moon….
Committed and depicted up on the screen,
Beating them Commies so evil and mean!
While winds of a Cold War made us shake and shiver,
And we warmed up with sessions of duck and cover.

We chose to go to the moon….
Believing that we were in a race,
In which we had to set the pace,
To be first to put a man on the moon,
And get it done and done real soon.

We chose to go to the moon…..
With faith in our industry and enterprise
Asking: What’s the payoff? What’s our prize?
Knowing: the race is on and we’d better win it;
Control the moon and all others will submit!


We chose to go to the moon…..
Not yet ready to catch and match the fiction,
Of a Woody Woodpecker demonstration,
Filled with optimism and basic principles,
And all kinds of kids’ cute cartoon visuals.


We chose to go to the moon….
When Kennedy set out a nation’s challenge,
One that would not be easy to manage
And one that would be hard to achieve
But one in which all could believe.

We chose to go to the moon…..
Having once lost a race into space,
Now a new race began to help us save face
Where the goal was to win and claim first prize:
Global pre-eminence and all that it belies.

We chose to go to the moon…
And did we rush in headlong haste -
To land a man on the moon and be the first
To safely return him to earth! Ah, there’s the rub!
Dangers abounded while Time stood poised to drub.


We chose to go to the moon….
With men who had the right stuff,
But would all this prove to be enough,
With the aim just to win a sprint,
To plant a flag and leave a footprint?


We chose to go to the moon….
And by Mercury, Gemini and Apollo we did!
Ethereal images both ghostly and splendid
Hailed us from another world with words well-timed
“One small step for man, one giant leap for mankind.”


We had chosen to go to the moon….
And for a moment we stood there as if in a trance,
Struck dumb by the stark desolation and silence,
In awe at a blue marble suspended in a velvet black sky,
And then we began to fiddle and fidget and wonder WHY?


We then chose to leave the moon…..
When Cynicism set in as adventure turned routine,
And the latest sitcom was the thing to be seen.
A blanket of boredom spread over a fickle world
Chilled by millions and billions at the moon that were hurled.

Selene: Greek moon goddess

We choose now to return to the moon…..
When what had once been revered and respected;
When what held our world balanced and protected;
And of our imagination sparked and illuminated,
Had for too long been ignored and taken for granted.

Do we now choose to go to the moon…
Because others are there for reasons suspect?
To corporatize a chunk of space unchecked?
To have a stepping stone to Mars and yonder?
Or to help us understand, know and wonder?




 *********************



2018 will open with a post on the classic 1958 sci-fi film…..

THE FLY!!!!!






©Chris Christopoulos 2017




Sunday, 4 June 2017

I Married a Monster from Outer Space (1958)



A commendable sci-fi film with impressive camerawork, mature dialogue, effective special effects, and good acting - but one that deserves a much better title!


I Married a Monster from Outer Space is set in the fictional town of Norrisville, California where Bill Farrell is having his bachelor party on the eve of his marriage to Marge Bradley. After leaving the bachelor party, he is abducted by an alien that takes on his form. The alien “Bill” marries Marge the next day. It doesn’t take long, however, for Marge to feel that there is something different about Bill. After a year of marriage, Marge realises that Bill has become a completely different man!


How does Marge deal with this revelation?

What else is discovered about this impostor?

Who else has been affected?
What is the purpose of this strange alien invasion?


Directed by Gene Fowler Jr.
Produced by Gene Fowler Jr.
Written by Louis Vittes
Music by Daniele Amfitheatrof, Hugo Friedhofer, Leith Stevens, Franz Waxman, Victor Young
Cinematography: Haskell Boggs
Edited by George Tomasini
Production company: Paramount Pictures
Running time: 78 minutes
Budget: $125,000


Cast


Tom Tryon: Bill Farrell
Gloria Talbott: Marge Bradley Farrell
Peter Baldwin: Officer Hank Swanson
Robert Ivers: Harry Phillips
Chuck Wassil: Ted Hanks
Valerie Allen: Francine - Hooker
Ty Hardin: Mac Brody (as Ty Hungerford)
Ken Lynch: Dr. Wayne
John Eldredge: Police Capt. H.B. Collins
Alan Dexter : Sam Benson
James Anderson: Weldon
Jean Carson: Helen Rhodes
Jack Orrison: Officer Schultz
Steve London: Charles Mason
Maxie Rosenbloom: Max Grady (Bartender)







What It Means To Be A Man

Despite the corny-sounding title, I Married a Monster from Outer Space, the film has a lot more depth to it than its title might suggest. For one thing, it speaks volumes on what it means to be a “MAN” in the modern world.

At the time the film was made, there was a lot more certainty surrounding gender roles and expectations. It would have been expected that males would wind up being the bread-winner and head of the family while women would be expected to be largely subservient home-makers and mothers.

As far as conventional male and female relationships is concerned, I Married a Monster from Outer Space calls into question the then contemporary concept of maleness. It even continues to do so sixty years later when right now in the early 21st Century many males often find themselves grappling with trying to figure out what their role in society is supposed to be. This can be quite a daunting task particularly at a time of re-evaluation of gender roles; the push toward gender equality; the increasing feminisation of society and perceived social & political correctness in matters concerning expressions and manifestations of maleness.

Read on for more......