Showing posts with label moon. Show all posts
Showing posts with label moon. Show all posts

Tuesday, 21 April 2026

Shooting for the Moon



Shooting for the Moon

You’re rudely dragged awake from sleep
and a night full of forgotten dreams
by the incessant farting of your phone
and its insistent ‘get the hell up’ screams.
While you mumble, bitch and moan,
your bed abruptly begins to empty itself
forcefully of your flabby and flaccid form.
You know you have no say as you stagger
to the bathroom bearing a bloated bladder,
not before tripping over the bloody robo vac
and cursing the roving autonomous little shit.
You then head to the kitchen for a breakfast
prepared by the overly attentive AI house assistant.
What possessed you to name it ‘Jeeves’
and give it a posh British butler’s voice?
Without asking, Jeeves activates a wall panel
turning a Van Gogh field of sunflowers
into an over-caffeinated female news anchor.


























See then Artemis shooting an arrow at the moon
as the talking heads on screen “ooh!” and “aah!”
while all the crowds and viewers sway and swoon
over a myriad of ‘firsts ’ and gush and go gaga
at how even brother Apollo had been out performed.






















And there you stand in your saggy tatty baggy underwear
waiting for mind to catch up and sync with eye and ear
as you learn that you are the crew and they are you
and we are all together; so see how they fly
higher, further and faster so far up in the sky,.
Suddenly your phone whimpers and whines
like the yappy needy little mutt next door.
Like Pavlov’s dog you immediately respond
leaving Artemis to admire the moon’s backside.
Message says your work at home job is now extinct,
given over to one of Jeeves’ smarter AI cousins.
On screen NASA’s PR machine weaves words
with which to console you about how much
Artemis holds the key to humanity’s purpose
while you stand there wondering what to do next.
Suddenly you start wondering and pondering -
Would 50 billion one dollar bills stacked high
reach as far as Artemis way beyond Earth’s sky?
What if the stack collapsed and fell back to Earth?
Five bucks for each person or a thing of more worth?
Teeth that get fixed and the best health care for all?
Food for the hungry and kindness for the soul,
while for the homeless, a roof over their head;
and all kids having the chance to learn and play
instead of thinking that next day they could be dead?














Your doubts though are soon folded up and put away
as you watch ultra HD images of moon and Earth.
“Such resolution!” all on screen gasp and gush
but then you wonder if any of the pixels contain
any hint of the cratered moonscapes and terrain
that humanity has managed to create in Ukraine,
Gaza, Lebanon and Iran or the red maria in Sudan.
What of the rivers and tributaries of the displaced?
Can you trace their uncertain courses and destinations?
Will they show up in these dazzling cosmic snapshots?
“This shows what humanity is capable of achieving!”
a voice from space intones to many viewers unaware
of the FIRST human journey beyond Earth 
to another world 
on Christmas eve 1968 when from a fragile craft crackling voices
bore messages from Genesis to all of us on the good earth:
where presidents and men with a dream were shot dead;
where protesting students were gunned down in universities;
where US race riots and violent protests in Paris erupted;
where a carpet of bombs was being laid in foreign lands;
where body bags brought back the dead from distant wars;
where humanity itself faced the eve of its own destruction;
Those crackling voices had dragged us back from oblivion,
and for the FIRST time humanity caught a glimpse Earth’s beauty
and the fragility of the flawed blue marble as viewed from space.


















A message of hope, and unity flowed forth from the words:
"And God saw the light, that it was good:
and God divided the light from the darkness."

But humanity soon grew bored, preoccupied and distracted
while suffering collective amnesia and so here we are again.
You standing there beginning to yawn and fidget and fiddle
with your phone, fretting about the economy and the cost of guzzlene
while dreaming of buying a shiny Chinese EV or NEW robo vac
or whatever you’re told on some screen what you really need.
The media spin masters say there’s a race to be won and win we will:
around the moon; to the moon; on the moon; beyond the moon;
onward to Mars; 400.000 miles, 40 million miles, a billion miles;
trillions of miles to the nearest star system; thousands of light years
across the galaxy, millions of light years to other galaxies and more!
Once we gobble up all the rare earth minerals on our rare Earth
we’ll dig baby dig and drill baby drill our way across the universe.
Victory to humanity divine when we become gods with Zeus!
In the meantime his daughter will continue to fire her arrows
while we continue to hurl our own arrows at one another
and you my friend may as well go back to bed and slumber
and dream forgotten dreams of your complete insignificance
in a vast universe that views your existence with indifference.


First two images generated by Chatgpt
Other images from Artemis 2 mission


©chris Christopoulos

Thursday, 6 November 2025

Moon Zero Two (1969)

A sci-fi film that walks a fine line between being an unintentional spoof and a straightforward space adventure film.


Directed by Roy Ward Baker
Screenplay by Michael Carreras
Story by Martin Davison, Frank Hardman, Gavin Lyall
Produced by Michael Carreras
Cinematography: Paul Beeson
Edited by Spencer Reeve
Music by Don Ellis
Production company: Hammer Films
Distributed by Warner-Pathé Warner Bros.
Running time: 100 minutes
Country: United Kingdom
Budget: £500,000



Cast


James Olson as Bill Kemp
Catherina von Schell as Clementine Taplin
Warren Mitchell as J. J. Hubbard
Adrienne Corri as Elizabeth Murphy
Ori Levy as Korminski
Dudley Foster as Whitsun
Bernard Bresslaw as Harry
Neil McCallum as space captain
Joby Blanshard as Smith
Michael Ripper as 1st card player
Robert Tayman as 2nd card player
Sam Kydd as barman
Keith Bonnard as Junior customs officer
Leo Britt as Senior customs officer
Carol Cleveland as hostess
Roy Evans as workman
Tom Kempinski as 2nd officer
Lew Luton as immigration officer
Claire Shenstone as female hotel clerk
Chrissie Shrimpton as boutique attendant
Amber Dean Smith as Hubbard's girlfriend
Simone Silvera as Hubbard's girlfriend
The Go-jos as Hilton bar dancing girls




Earth’s Moon
May 2021

Bill Kemp, former astronaut pilot turned space salvager together with his Russian partner, Korminski become involved in a millionaire criminal space industrialist’s scheme to capture a sapphire asteroid and crash it into the far side of the moon for later recovery. Kemp and his partner are initially unaware of the fact that there is also a link between this job and the salvage team’s agreement to help Clementine Taplin locate her missing brother……..

Trailer



Read on for more......

Sunday, 28 April 2024

Mutiny in Outer Space (1965)



A well-paced and entertaining sci-fi film hampered by its low budget

Directed by Hugo Grimaldi, Arthur C. Pierce (uncredited)
Written by Hugo Grimaldi, Arthur C. Pierce
Produced by Hugo Grimaldi, Arthur C. Pierce, Bernard Woolner, David Woolner, Lawrence Woolner
Cinematography: Archie R. Dalzell
Edited by George White
Music by Harry Eisen (Stock music editor)
Production company: Hugo Grimaldi Productions
Distributed by Woolner Brothers Pictures
Running time: 82 minutes
Budget: $90,000 (estimate)


Cast


William Leslie as Maj. Gordon Towers
Dolores Faith as Dr. Faith Montaine
Pamela Curran as Lt. Connie Engstrom
Richard Garland as Col. Frank Cromwell
Harold Lloyd Jr. as Sgt. Andrews
James Dobson as Dr. Hoffman
Ron Stokes as Sgt. Sloan
Boyd Holister as Maj. Olsen (in credits as Robert Palmer)
Gabriel Curtiz as Dr. Stoddard
Glenn Langan as Gen. Knowland
H. Kay Stevens as Sgt. Engstrom
Francine York as Capt. Stevens
Joel Smith (unnamed character)
Carl Crow as Capt. Dan Webber
Robert Nash (unnamed character)




Astronauts on a trip back from the lunar ice caves contract a deadly fungus.

They unwittingly contaminate a space station with the fungus.

Space Station X-7 is soon overrun by the unknown deadly alien fungus.

What’s more, not all is right with the X-7’s commander.

What must the crew do in order to save the space station, along with Earth itself from destruction?


Read on for more.....

Tuesday, 25 May 2021

Countdown (1968)

A rather dry, less than exciting but well-acted snapshot of the space race during the Cold war period of the late 1960s. The film deals with complex emotions and human behavior instead of technology but suffers from a lack of tension and suspense.

The Soviets are about to launch a manned mission to the moon.

A desperate bid by the US to land a man on the moon before the Soviets do.

An Apollo moon program that isn’t ready to launch yet. 

A rushed preparation to send a single astronaut in a modified Gemini capsule to land on the moon.

He is to remain alone on the moon in a lunar shelter for a year until an Apollo mission can rescue him.

BUT.....

Who will be selected for this hastily prepared and perilous mission and can it succeed?




Directed by Robert Altman
Produced by William Conrad
Screenplay by Loring Mandel
Based on “The Pilgrim Project” by Hank Searls
Music by Leonard Rosenman
Cinematography: William W. Spencer
Edited by Gene Milford
Production company: A William Conrad Production
Distributed by Warner Bros.-Seven Arts
Running time: 101 minutes


Cast

James Caan as Lee Stegler
Joanna Moore as Mickey Stegler
Robert Duvall as Chiz Stewart
Barbara Baxley as Jean
Charles Aidman as Gus
Steve Ihnat as Ross Duellan
Michael Murphy as Rick
Ted Knight as Walter Larson
Stephen Coit as Ehrman
John Rayner as Dunc
Charles Irving as Seidel
Bobby Riha as Stevie Stegler


Trailer


(Spoilers follow below....)

We are transported back to the late 1960s, a time we recall being one of change, the rise of counter-culture and impending social and political turmoil. Shielded from all of the ructions of the times within the bubble of the Gemini and Apollo moon programs, we find three astronauts training in an Apollo 3 simulator with their main concern consisting of having their session being aborted abruptly with the “third orbit coming up.”

The astronauts inhabit a world of buzz and crew-cutted, skinny-tied, narrow-trousered and short shirt-sleeved mission focused dedication to the achievement of a history-making goal: sending a man to the moon.  


♪♪ Johnny we gotta make a moon shot
Or the Russians will leave us behind
So get ready soon and we'll drop you on the moon.. ♪♪

Read on for more

Tuesday, 27 August 2013

Cat-Women of the Moon (1953)

Strangely entertaining with little more than one hour to endure its many flaws


Director: Arthur Hilton
Producer: Jack Rabin, Al Zimbalist
Writer: Roy Hamilton
Music: Elmer Bernstein
Cinematography: William P. Whitley
Editor: John A. Bushelman
Distributor: Astor Pictures
Running time 64 minutes




Cast



Sonny Tufts (Laird Grainger)
Victor Jory (Kip Reissner)
Marie Windsor (Helen Salinger)
William Phipps (Doug Smith)
Douglas Fowley (Walt Walters)
Carol Brewster (Alpha)
Suzanne Alexander (Beta)
Susan Morrow (Lambda)
Bette Arlen (Cat-Woman)
Roxann Delman (Cat-Woman)
Ellye Marshall (Cat-Woman)
Judy Walsh (Cat-Woman)




Trailer





(Some spoilers may follow in the rest of this post)

Plot


A race of "Cat-Women" consists of less than a dozen survivors of a 2-million-year-old civilization who live deep within a cave on the moon.

Within the cave the surviving Lunar Cat-Women have managed to maintain the remnants of a breathable atmosphere that once covered the moon. They are the end product of a program of “planned genocide” to reduce oxygen consumption.

The remaining air will soon be exhausted and the last of the Cat-Women species must escape if they are to survive.

The Cat-Women plan to steal a human lunar expedition’s spaceship and return to Earth where, with their superior powers, they will assume control.







In order to fulfil their plan, the Cat-Women have used their telepathic ability to subliminally control Helen Salinger, enabling her to then gain the position of navigator on a scientific expedition that will consist of five astronauts who are to travel aboard Moon rocket 4 to the dark side of the moon. It is intended that Helen lead the expedition right to the Cat-Women’s location.

While in space, the ship is hit by something which Grainger believes to be a meteor that has lodged itself in the rocket tubes. (“Something’s embedded in our rear section!” Spoken with a straight face!) In order to dislodge the meteor, the crew decides to manoeuvre the ship wildly. This succeeds but they discover some damage to the ship’s engines. (“SECTION 5” indicating problems with the atom chamber with one of the tubes damaged and an obstruction in the water line.) After some efforts at making repairs, the emergency situation is finally brought under control.




QUESTIONS ARISE:


  • Who was Helen talking to on the radio when she said, “Alpha, we are on the way?” 
  • Why was she vague in her response when questioned about this? 
  • Was she merely suffering “a touch of space madness?” 
  • Why does she act as if she recalls nothing? 
  • Why has she already chosen a site “the perfect landing place”; a choice that does not fit the mission profile since it is located on the dark side of the moon? 
  • Why is she so insistent about her choice of landing site but can’t explain why?






Once on the moon the Cat-Women take complete control of Helen’s mind but are unable to control the men's minds. With Helen's help, along with their own powers, abilities and feminine talents, they hope to discover the men’s “weak points," and then “take care of the rest."




MORE QUESTIONS ARISE:


  • How could Helen have seen the cave during the landing as she claimed when she suggested that they head towards it? 
  • How convenient it is that according to Helen the walls of the cave look exactly as it did in a dream she supposedly had and that she can now take the lead and navigate her way through the various passages right to the very door-step of “another world in the bowels of the moon?”




Another power that the Cat-Women possess is their ability to transport themselves unseen from place to place within the cave which they put to good use to steal the crew's spacesuits. 

After an earlier attack on the crew by large lunar arachnids, as well as from hidden cat-women attempting to take the men down individually, the Cat-Women deal directly with the human visitors and a party is put together in their subterranean city with tempting offerings of food, drink and entertainment.

A suspicious and constantly glowering Kip confronts the Cat-Women's leader, Alpha after discovering the spacesuits are missing and promises are soon made to return the suits in the morning. 





Meanwhile the Cat-Women continue to exploit the "weak points" of the expedition’s male crew members. For example, Walt is easily charmed by Beta who feeds him stories about caverns filled with gold, so much gold in fact that no one bothers to mine it. She promises to let Walt have the gold if he agrees to take her back to Earth with him.





Will the Cat-Women learn how to operate the spaceship and succeed in their mission to reach Earth?

Will LOVE play a part in the success or failure of the Cat-Women’s plot?

Or will the expedition manage to escape the clutches of the Cat-Women and return safely to Earth?






Points Of Interest


Cat-Women of the Moon is simply a movie anyone could spend time picking to pieces, but despite its many faults you can’t help but enjoy watching it. It can also be appreciated as being the first film of its kind, followed by such films as Invasion of the Star Creatures, Fire Maidens from Outer Space, Queen of Outer Space and its clone / remake, Missile to the Moon.

Was it just me, or did the opening to Cat-Women of the Moon really remind us of the Twilight Zone series narrator? “Why must we wait (for the barrier to be pierced)? Why not now?” I half-expected the theme tune to Twilight Zone to start up.

A large part of its entertainment value lies with its nonsensical elements such as the notion that astronauts would bring cigarettes with them to the moon. This is followed by a demonstration of the temperature difference between shaded and sunny parts of moon's surface by having a cigarette thrown into a sunny part where it instantly bursts into flame! Try not to shake your head and smile! Still, the temperature differentiations are quite extreme on the moon’s surface.




Cat Women of the Moon               Project Moon Base

Apart from the suspect science, we have equally suspect set designs with mundane office chairs complete with seat belts in a spaceship. The spaceship interior itself is remarkably like the one in the film Project Moon Base made in the same year as Cat women of the Moon. It gets better with the “special effects” where far from being horrified by the giant puppet spiders, we would run the risk of expiring from spasms of laughter. Still, we feel the need to keep on watching despite (for the want of a better word), the “acting” of Sonny Tufts! And then there’s the wonderfully politically incorrect dialogue with great lines like Walt’s, "You're too smart for me, baby, I like ‘em stupid."

Sure, we might cringe at watching movies like this, but we should be sophisticated enough to view them as being a part of sci-fi film history and a window through which to see the attitudes of a largely by-gone era. It’s both fascinating and funny at the same time.

Perhaps part of the appeal of this and similar movies lie with the notion of being a male traveller who encounters a lost civilization consisting solely of beautiful young women clad in tight body hugging black outfits or leotards. Unfortunately the fantasy is somewhat spoiled when the male discovers it would be more than just the TV remote control and credit card that would appropriated by his newfound female companions-his very mind would be under their control! The ultimate male fear! The horror!







Can anyone explain to me why three of the astronauts were wearing goldfish bowls for helmets while two others were wearing the steel helmet variety? As these helmets have featured in other sci-fi films of the time, I can only imagine that they ran out of the goldfish helmets and had to scrounge around for other helmets and had to make do with two odd ones.

Can anyone also tell me why when they were in the cave, the space-suited astronauts felt the need to yell and shout at one another to be heard. I can only assume that they could communicate via their radios and would be able to converse normally over some distance. It took them a while to realise that there was a breathable atmosphere in the cave. Up until then they would think they were in a vacuum and therefore yelling to be heard would have been of no use.

The “weak points” that the Cat-Women are intent on exploiting, could be considered a kind of test that we as human individuals “pass” or “fail” at various times throughout our lives. For example, Walt is tempted with the promise of having more gold than he can imagine in return for providing information. Will he succumb to greed? Kip is cautious and sensible, but can suspicion and “spoiling for a fight” damage the prospects for forming meaningful personal relationships? For Laird Grainger his sense of duty is tested and his intentions are good but does everything in life have to be “done by the book?” The biggest test being faced is the one involving Doug and Lambda. Can their genuine affection for each other overcome the vices of temptation, fear, avarice, suspicion and manipulation? As the Cat Women have no power of control over the male crew members’ minds, it the decisions they each will make that will ultimately determine their individual and collective fate. It is certainly a dilemma for men in the modern world as we try to redefine our roles and find our purpose in a constantly changing world. With advances in science & technology, including reproductive research, it has even proposed that in the future the time may come when there will be no need for male human beings.

The evil nature of the Cat-Women’s civilisation is clearly laid bare for the audience with the reference to “Eugenics.” Lambda is told in no uncertain terms that any choice of “husband” for her, along with any children she may have will be determined by the process of eugenics. There will be “no room for love.” With only eight years since the ending of the Second World War, the association in people’s minds with the medical practices of the Nazis in Germany would’ve been powerful.

Finally, if anyone further doubts the credentials of Cat Women of the Moon, the music is by none other than Elmer Bernstein from `The Ten Commandments' fame-so there! A touch of class!

If you haven’t watched Cat-Women of the Moon, do it now…Come on…. 



“EVERY MAN A TIGER….LET’S GO!”














\
©Chris Christopoulos 2013

Sunday, 20 January 2013

Destination Moon (1950)

Above Average

  • Film Title: Destination Moon
  • Release date: June 27, 1950
  • Producer: George Pal
  • Director: Irving Pichel
  • Running time: 92 minutes
  • Screenplay: Robert A. Heinlein, James O'Hanlon, Rip Van Ronkel
  • Budget: $500.000 approx.
  • Winner of an Academy Award for Visual Effects

Trailer

1950: A Taste Of The Times

  • President of the United States:  Harry Truman.
  • Truman approves production of the hydrogen bomb and sends US air force and navy to Korea in June.
  • The end of World War II only five years previous to making of Destination Moon.
  • Thousands of young servicemen have returned to America to start new families and lives.
  • American industry expands to meet the new peacetime needs with Americans buying newly available goods.
  • Industrial expansion and jobs growth a result of all this activity. 
  • The baby boom had begun. 
  • Oh yes, the Cold War between the countries of the “Iron Curtain” and democratic “Free World” was up and running. Fear and paranoia was soon to be the order of the day.


Synopsis 

(Spoiler Alert)

Dr. Charles Cargraves and retired General Thayer approach Jim Barnes who heads his own aviation construction firm (Barnes Aircraft Corporation) to help them build a rocket that will launch them to the moon. They, together with various industrialists, agree to support the enterprise of having the United States be the first nation to put a man on the moon. After all, it is felt that they would have a “disunited world” if the US is not in space first. The rocket is constructed and successfully lands on the moon. However, there has been a miscalculation over their fuel consumption! After stripping down the ship, they discover that they are still 100 lbs overweight. One of them, therefore, will have to stay behind……..


Points of Interest

Since the days of NASA we have seen moves being made to rely less on governments and their organisations and greater emphasis being placed on having private enterprise assume a more prominent role in space exploration. In the film it is actually “combined American industry” that initiates the moon landing venture by manufacturing the space craft and financing its successful launching to and very first landing on the Moon. Take note of the following comments from the film;
“Government always turns to private industry when it’s in a jam.”
“Only American industry can do this job…Just like we did in the last war.”

Of course, there’s profit to be made in that it is expected that the U.S. government will purchase or lease this new technology in order to keep ahead of the Soviet Union. In the film, the question is asked, “What’s the payoff?” The answer is that they have to build the rocket to “stay in business.”

Both industry and the US have to stay in business, as even a decade before President Kennedy’s vow to have America be the first land a man on the moon and safely return him to earth, it was declared in the film;
“The race is on and we better win it…Whoever controls the moon…..”

Twenty years before the first actual moon landing, the film draws the audience’s attention to the dangers involved with manned space exploration, as well as with the technical difficulties with travelling to, landing on and safely returning from literally another world. First, there are initial disasters and failures as seen with the destruction of the V2 style rocket (a result possibly of sabotage.) Then there’s the dangers faced by astronauts such as finding themselves cut adrift in space. Of course technical problems can occur as was the case with the radar malfunctioning due to (what else?) human error. Similar aspects of space flight have had to be faced by both the former Soviet Union and the US.

Although with 75+ years hindsight we can pick apart the technical aspects of the film and its degree of accuracy, there are many things it got fairly well (uncannily?) right. For instance;

  • The depiction of the take-off, weightlessness, the moon landing (compare with films of Apollo 11 moon landing) and some of the moon walk
  • The almost panoramic view of the moon: its starkness and its “barren desolation,” “silence,” and “velvet black sky.”
  • The view and impression of the earth as being “vulnerable and exposed.”
  • The use of jet packs being foreshadowed, with the oxygen tank being adapted for this purpose in order to retrieve their crewmate.
Notice how the astronauts in the film had to struggle to find a suitable landing site with a critical fuel situation to contend with. Very similar to what Armstrong and Aldrin had to face in Apollo11 in 1969!

With both the film and Apollo 11, each crew came to the moon representing the US. In Armstrong’s case it was “One small step for man, one giant leap for mankind.”
For the crew in the film, they came to the moon for the “Benefit of all mankind.”

Notice also how the crew in the film had to make crucial fuel consumption calculations in order to return to Earth. I couldn’t help but think of what the crew of Apollo 13 had to face with only a radio link to earth to help them.


Attitudes & impressions:

  • Manned moon landing as being “Too fantastic!”  Well, clearly not….
  • Atomic power as being a viable and unlimited source of power. However, there is a need to contend with negative public opinion which is dismissed in the film and put down to being a result of manipulation.
  • Government as being an impediment to getting things done with all of its red tape. I guess various sections of American politics would be nodding their heads very vigorously at this….even over 60 years later!    
  • Women….where were they? No role for them? Only a few years earlier they were performing crucial roles in industry and elsewhere while the man were at war. So when the war ended, were they expected to go back to being wives, mothers and homemakers? I guess according to this film, they were expected to. The changing role of women will be featured in further sci-fi films of the era I’ll be posting about.

So, for now…..

”This is the end of the beginning!”



©Chris Christopoulos 2013