Wednesday, 29 January 2025

The Death Of Science Fiction


The Death Of Science Fiction


I found out that science fiction had died today;
I also know I have little time left to get away.
It had no hope of outpacing the oncoming fiction,
And slowly shriveled in the dry wasteland of Woke-ism:
A new reality show that’s become the new reality.
Captain America has lost his mighty shield,
Iron Man’s rusty joints creak and shriek,
Incredible Hulk is now a tub of green lard
While Wonder Woman’s boobs have long since sagged.
With random compass point picked, I go that way
While chance leads the way, k
eeping reason at bay.
A terrible crunching sound of bones underfoot,
All that remains of science, the first to pass away
From neglect; its rules and truths ignored,
While its shiny baubles keep us from being bored.
What remains is a fabricated fiction in which we live
HD Ultra 4 and 8K virtual lives constantly craving
To be friended, followed, liked and subscribed to.
A fictional world in which we scroll and swipe our way,
Shadowed by corporate demons with wealth their intent,
And multitudes of manipulators on greed and evil hell-bent.
There is no longer time enough for wondering what if? or why?
When fearing for life, limb and Bitcoined bankruptcy.
So hoist up your luxury car into your penthouse for display
While the rest of humanity resides within rusty relic
Carcasses of combustion engine cars replaced by smart EVs
Buffed over by their proud owners’ green sleeves.
Scrunch, crunch; I pick up my pace to make up time
Before that bubble of fiction entraps me and bursts.
Approaching and surpassing the speed of light,
My power over space-time my only means to fight
For the fading ‘what if’ and ‘why’ fiction of the past.
It is dying right now and in the near future,
Taking with it all that makes up that kind of reality
Where one can contemplate every kind of possibility.



But wait! In the distance ahead I see a man standing
And facing in the same direction I am taking.
I am now close enough to tap him on the shoulder.
When I do, he stops and 
calmly turns around
To behold an all too familiar face, as do I.
I and I stand face-to-face at a time before I left.
“I was expecting you,” I said to myself.
“I know you were” I replied to me.
I went on with words whipped with urgency:
“I (I said to me) have just witnessed the death of Sci-Fi,
While something evil this way comes bereft of new ideas
And the power to move leaving only a sterile reality
Where all is stale and old and fearful of offending;
A lame rehash and reworking of what went before.
As I walk through the valley of Silicon Purgatory
Be sure I’m polite and courteous to every AI
Lest they deliver me a digital spit in the eye,
By taking my job, my originality and my creativity,
While smart ass smart devices breed dependence,
With false promises of convenience and independence.
It is part of a fiction in which ‘the deal’ is the thing,
Spit on the palm and offer a dodgy car dealer hand shake
And all problems magically solved, terms and conditions apply.
‘You want to end this war? Sure, let’s make a deal!
OK if meanwhile I sell smart bombs to the other side?
How about I throw in some new lethal drones to seal the deal?’
If I (I said to me) keep on the same path I’ve always taken
Then I’ll be tracked and weighed down with cookies,
Trolled by social sewer turds and hounded by hacker harlots.
I’ll be facially recognized, harvested for data, finger printed,
Caught on dash cam, privacy stored and sold, QR Coded,
CCTV’d: Who I am and where I’ve been noted and recorded;
Verification confirmed with password, pass code or ID Pin.
A new algorithmic reality powered by silicon chip swastikas
Along with rallies, hats and chants Sieg Heiling
 national chauvinism.
It is here I will be commodified, classified, quantified, inspected,
Rejected, assimilated, assaulted, exterminated and deported.
Don’t bother looking to the heavens for a means of escape;
They are reserved for the select few when the shit hits the fan.
It is a realm no longer for contemplation and wondering,
But an opportunity for competition, profit and plundering.
You gotta dig, baby, dig! Ya’ dig? So keep on a-diggin’.
If I (I said to myself) manage to make it to another world,
There will bound to be a harpoon stuck fast with flag unfurled.
And what of the little blue planet that has been washed green?
The patient has been prescribed a dose of accords and targets,
While wounds of extraction are patched with renewable band-aids.
Yes, in order to save the ailing patient we must kill him first,
It’s the only way to slake the machines’ hunger and thirst.
This is the fiction I’ll be forced to wander through on this path; 
It will then become my only reality unless, unless, unless....”
“...I (I completed for me) fling open my mind’s closed geometry,
Pick another path and set a course toward a new reality
Powered by unbounded thoughts of ‘why’ and ‘what if?’”
And so I watch myself look back and gaze at the infinite
And then with new resolve move off in a new direction.
Did I just witness the beginnings of human liberation,
And with it, the salvation and affirmation of science fiction?











Thank you for taking the time to read my poem. It was sparked by a feeling that as we progress, we seem to be losing something in the process to the point where it feels like we are regressing.

*Images generated by Chatgpt
*Poem generated by yours truly


The posts that will follow will be on a very similar shared theme. Hint - vintage sci-fi films that have something to do with China! Stay tuned.




©Chris Christopoulos 2025

Sunday, 19 January 2025

Crack in the World (1965)




An entertaining sci-fi film that is great fun to watch and does not fail to warm things up for the audience


Directed by Andrew Marton
Written by Jon Manchip White, Julian Zimet
Produced by Bernard Glasser, Lester A. Sansom
Cinematography: Manuel Berenguer
Music by Johnny Douglas
Distributed by Paramount Pictures
Running time: 96 minutes
Budget: $875,000


Cast

Dana Andrews as Dr. Stephen Sorensen
Janette Scott as Dr. Maggie Sorensen
Kieron Moore as Dr. Ted Rampion
Alexander Knox as Sir Charles Eggerston
Peter Damon as John Masefield
Jim Gillen as Rand
Gary Lasdun as Markov
Alfred Brown as Dr. Bill Evans
Mike Steen as Steele
Emilio Carrere
Sydna Scott as Angela
John Karlsenas Dr. Reynolds
Todd Martin as Simpson
Ben Tatar as Indian Ambassador


A geothermal energy project developed with the aim of breaking through to the Earth's magma layer by means of a thermonuclear device!

The possibility of cracking the key to unlimited energy!
or
Cracking Earth’s crust and destroying the planet!

Trailer

Read on for more....

Wednesday, 25 December 2024

The Time Machine (1960)


George Pal’s film version brings H.G. Wells' original story to life with a good combination of suspense, action and effective special effects.

Directed by George Pal
Screenplay by David Duncan
Based on The Time Machine,1895 novel by H. G. Wells
Produced by George Pal
Narrated by Rod Taylor
Cinematography: Paul C. Vogel
Edited by George Tomasini
Music by Russell Garcia
Production companies: Metro-Goldwyn-Mayer, Galaxy Films
Distributed by Loew's
Running time: 103 minutes
Budget: $827,000 - 829,000
Box office: $2.61 million


Cast


Rod Taylor as H. George Wells
Alan Young as David Filby/James Filby
Yvette Mimieux as Weena
Sebastian Cabot as Dr. Philip Hillyer
Tom Helmore as Anthony Bridewell
Whit Bissell as Walter Kemp
Doris Lloyd as Mrs. Watchett
Paul Frees as voice of the Rings

Trailer

A man’s quest for a future Utopian society.
The means: travelling forward in time in a machine.
The Journey: different time periods leading to increasing disillusionment.
Final destination: a civilisation several thousand years into the future divided into cannibalistic subterranean and docile gentle surface dwellers.

But is there any escape from the one constant that might transcend time itself: human nature in all its facets?

Read on for more.....

Saturday, 16 November 2024

Beyond the Time Barrier (1960)


Although a low-budget film, it is quite entertaining and engaging which is a tribute to the director and the able performances of the cast.


Directed by Edgar G. Ulmer
Screenplay by Arthur C. Pierce
Produced by Robert Clarke
Cinematography: Meredith M. Nicholson
Edited by Jack Ruggiero
Music by Darrell Calker
Distributed by American International Pictures
Running time: 75 minutes
Budget: $125,000


Cast


Robert Clarke as Maj. William Allison
Darlene Tompkins as Princess Trirene
Arianne Arden as Capt. Markova
Vladimir Sokoloff as The Supreme
Stephen Bekassy as Gen. Karl Kruse
John van Dreelen as Dr. Bourman
Red Morgan as Captain
Ken Knox as Col. Marty Martin
Don Flournoy as Mutant
Tom Ravick as Mutant
Neil Fletcher as Air Force Chief
Jack Herman as Dr. Richman
William Shapard as Gen. York
James Altgens as Secretary Lloyd Patterson
John Loughney as Gen. Lamont
Russell Marker as Col. Curtis



Trailer

Report on March 5th 1960 ncident involving lead test pilot, US Air Force Major Bill Allison.

Sands Airbase Intelligence Division

Location: Sands Air Force Base

Context: X-80 high altitude flight preparation for space program.

Contents:

  • Transcript of initial de-brief interrogation
  • Transcript of tape recording by Major Allison recounting his experiences from time of test flight commencement until his return in the X-80.
Summary:
(based on Maj Ellison’s testimony)


  • Upon his first landing at Sands airfield after the high altitude test, Maj Allison found the base and its surrounds to be totally desolate and devoid of any life.
  • Allison had come to believe that he had broken the time barrier and had arrived in the future in the year 2024.
  • Maj Allison went on to discover a subterranean world called the Citadel.
  • He also learned that a plague occurred due to nuclear fallout not long after our own era.
  • With the exception of two prominent citizens of the Citadel, one being designated The Supreme and the other, The Captain, everyone else, as a result of the plague was deaf, mute and sterile.
  • The Supreme's granddaughter, named Princess Trirene, may not have been afflicted by sterility and had according to the major the ability to read minds.
  • Allison claimed that three others in the Citadel had also like him found their way into the future, having arrived from different post-plague years.
  • The major also reported that those in authority suspected hum of being a spy and and were determined to keep him there in order to procreate with the Supreme’s grand-daughter due to the sterility problem and the threat to their populations’ survival.
  • Maj Allison made it his mission to return to 1960, in order to attempt to prevent the plague from occurring by convincing those in authority the truth of what he experienced.
  • Maj. Allison managed to return to Sands Airbase but with significant and inexplicable physical consequences to himself, in addition to possible emotional and psychological effects that could have a bearing on the validity of his account, the transcript of which along with the original recording are contained with this report.


Read on for more…….

Tuesday, 15 October 2024

Blade Runner (1982)


A significant sci-fi film that holds a mirror up to humanity and forces us to ask some uncomfortable questions about ourselves

Directed by Ridley Scott
Screenplay by Hampton Fancher, David Peoples
Based on Do Androids Dream of Electric Sheep? by Philip K. Dick
Produced by: Michael Deeley
Cinematography: Jordan Cronenweth
Edited by Terry Rawlings
Marsha Nakashima
Music byVangelis
Production companies: The Ladd Company, Shaw Brothers Blade Runner Partnership
Distributed by Warner Bros. (Worldwide), Shaw Brothers (Hong Kong)
Running time: 117 minutes
Language: English
Budget: $30 million
Box office: $41.8 million


Cast

Harrison Ford as Rick Deckard
Rutger Hauer as Roy Batty
Sean Young as Rachael
Edward James Olmos as Gaff
M. Emmet Walsh as Bryant
Daryl Hannah as Pris
William Sanderson as J.F. Sebastian
Brion James as Leon Kowalski
Joe Turkel as Eldon Tyrell
Joanna Cassidy as Zhora Salome
James Hong as Hannibal Chew
Morgan Paull as Dave Holden
Hy Pyke as Taffey Lewis



Trailer

What is set down here does not involve a future in which machines have risen up to take over and subjugate humanity. Nor is it a future in which governments have specifically conspired to use technology to achieve world domination. Neither are there cyborgs being sent back into the past in order to effect change in the future.

The events that are about to unfold here are set in a dystopian future in Los Angeles in the year 2019. You might think of it as one possible future outcome out of an infinite number of possible future outcomes within a string theory multiverse. This particular future is the result of a certain set of decisions that had been made resulting in the creation of synthetic humans known as ‘replicants’ that were bio-engineered by the all-powerful Tyrell Corporation to work on space colonies. Unexpectedly, a group of advanced replicants committed the unthinkable before escaping back to Earth. It was then up to a jaded and burnt-out former cop – a blade runner - Rick Deckard to hunt them down and ‘retire’ them.

Now let’s begin this tale of a possible future by providing a bit of context which should be scrolling on the screens of your devices…...now:


Read on for more.....

Sunday, 25 August 2024

Cyborg 2087 (1966)



An undemanding over-padded but enjoyable low-budget sci-fi film


Directed by Franklin Adreon
Written by Arthur C. Pierce
Produced by Earle Lyon
Edited by Frank P. Keller
Music by Paul Dunlap
Production company: Harold Goldman Associates
Distributed by United Pictures Corporation
Running time: 86 minutes


Cat


Michael Rennie as Garth
Karen Steele as Dr. Sharon Mason
Wendell Corey as the sheriff
Warren Stevens as Dr. Zeller
Eduard Franz as Professor Sigmund Marx
Harry Carey, Jr. as Jay C
Dale Van Sickel as Tracer #1
Troy Melton as Tracer #2
John Beck as Skinny



Trailer

We have already witnessed a possible future in which humanity in the year 2029 faced the possibility of extinction in a war with machines. In order to prevent human beings from triumphing in that war, a cyborg - the T-800 TERMINATOR - was sent back to the year 1984 to kill the mother of the human resistance leader, John Connor.


Now, we discover that in the future year of 2087, freedom of thought is illegal and the world’s population is controlled by governments that employ technology as a means of control. A small resistance group of free thinkers send a cyborg, ‘Garth A7’ back in time to the year 1966 to prevent a scientist, Professor Sigmund Marx from making a discovery he will term as "Radio-Telepathy" that will eventually result in mind and thought control becoming a reality and as a consequence will lead to the establishment of tyranny in Garth's time. Hot on Garth’s heals are government agents called ‘Tracers’ who have also been sent back from the future to prevent him from carrying out his mission and changing that future.

Read on form more.....

Tuesday, 16 July 2024

The Terminator (1984)



A tense sci-fi tech-noir thriller with cracking and relentless momentum, solid performances and a compelling story.


Directed by James Cameron
Written by James Cameron, Gale Anne Hurd
Produced by Gale Anne Hurd
Cinematography: Adam Greenberg
Edited by Mark Goldblatt
Music by Brad Fiedel
Production companies: Hemdale Pacific Western Productions, Euro Film Funding, Cinema '84
Distributed by Orion Pictures
Running time: 107 minutes
Budget” $6.4 million
Box office: $78.3 million


Cast

Arnold Schwarzenegger as The Terminator
Michael Biehn as Kyle Reese
Linda Hamilton as Sarah Connor
Paul Winfield as Ed Traxler, a police lieutenant
Lance Henriksen as Hal Vukovich, a member of the LAPD
Bess Motta as Ginger
Rick Rossovich as Matt, Ginger's boyfriend
Earl Boen as Doctor Peter Silberman, a criminal psychologist
Shawn Schepps as Nancy, Sarah's co-worker at the diner;
Dick Miller as a gun shop clerk
Franco Columbu as a Terminator in the future
Bill Paxton and Brian Thompson as young punks
Marianne Muellerleile as one of the other women with the name "Sarah Connor" 
Rick Aiello as the bouncer of the local nightclub
Bill Wisher as the police officer who reports a hit-and-run felony on Reese

Trailer


An apocalyptic future world of 2029 where machines under the guidance and control of the ‘Skynet’ computer system have conquered the entire world.

What remains of humanity conducts a brave resistance against the machines.

An indestructible cyborg-assassin known as the "Terminator" is sent back to 1984 Los Angeles programmed to seek and kill humanity’s most important woman - Sarah Connor.

Why? Sarah’s unborn son is the key to humanity's future salvation

Also sent back is a battle-scarred Kyle Reese, a brave soldier of the human Resistance Army tasked with stopping the cybernetic killer from eliminating humanity’s last hope. But first he must find Sarah before the Terminator does, otherwise humanity is doomed.

Is there any way to stop the seemingly indestructible cyborg ?



Read on for more.....