Showing posts with label end of world. Show all posts
Showing posts with label end of world. Show all posts

Saturday, 21 February 2026

SCI-FI FILM FIESTA –THE SWINGIN’ 60s - Volume 1: “Eve of Destruction” (FREE eBook)

 ðŸ”¥ When the World Stood on the Brink🔥




SCI-FI FILM FIESTA –THE SWINGIN’ 60s
Volume 1: “Eve of Destruction” 
(FREE eBook)

• What happens when civilization realizes it may not survive the week?
• What happens when science outruns wisdom?
• What happens when governments withhold the truth?
• What happens when ordinary people are forced to confront the end of everything they know?

Welcome to Volume 1 of SCI-FI FILM FIESTA — The Swingin' 60s: "Eve of Destruction," an exploration of Cold War science fiction at its most urgent, intelligent and unsettling!

And the best part?

It’s absolutely FREE!!

A Journey to the Edge of Oblivion

The 1960s marked a dramatic shift in science fiction cinema. Gone were the reassuring alien invasions of the 1950s, where heroes restored order and the threat was neatly contained. In their place came something far more disturbing……..

The REAL enemy was US!

In Eve of Destruction, you’ll encounter films that grapple with:

• Nuclear brinkmanship.
• Media responsibility and government secrecy.
• Civil defense paranoia.
• Scientific hubris.
• Social breakdown under pressure.
• The fragile psychology of survival.

These are not merely “old movies.” They are cultural time capsules — reflections of an era when the Doomsday Clock ticked ominously close to midnight and the unthinkable felt frighteningly plausible. (Check out the Doomsday Clock setting for 2025-6! and ask yourself, why?)) These films do indeed remain startlingly relevant.


More Than Film Reviews

This volume is not just a collection of reviews and commentary. It is a deep dive into the ideas behind the films — the anxieties, politics, and moral questions that shaped them. Each entry explores:

• Historical context
• Thematic analysis
• Cultural significance
• Creative Immersion into the plots
• Points of interest for modern audiences

Accompanying the film discussions is a carefully curated resource section for readers who wish to explore further — from Cold War history to documentary realism and nuclear-age philosophy.

Whether you are a lifelong science fiction enthusiast, a student of film history, or simply intrigued by how previous generations imagined the end of the world, this volume offers insight, atmosphere and thoughtful reflection.

In the spirit of sharing a passion for classic science fiction,
Volume 1: "Eve of Destruction" is available as a FREE eBook.

No Catch
No subscription fees.
No hidden charges.

Just a curated celebration of intelligent, thought-provoking cinema.

Download it!
Explore it!
Share it!

Eve of Destruction is only the first instalment of the second multi-volume Sci-Fi Film Fiesta series. This time it comprises an ongoing exploration of a most fascinating era of science fiction film-making – The Swingin’ 60s’s!

If you enjoy thoughtful film analysis, cultural history, and a touch of apocalyptic drama, this series is for you.

Download your FREE copy of Sci-Fi Film Fiesta - The Swingon’ 60s – Volume 1: “Eve of Destruction” and rediscover an era when cinema dared to stare directly into the abyss.


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and, don't forget.....

BIG FAT BOOK OF SCI-FI FILMS OF THE 1950s LINK


And now on.......

GOOGLE PLAY BOOKS



©Chris Christopoulos 2026



Wednesday, 30 April 2025

The Doomsday Machine (1972)



A poorly made cheap sci-fi throwback or a sci-fi crappy cult classic?You be the  judge!


Directed by Herbert J. Leder, Harry Hope, Lee SholemWritten by Stuart J. Byrne
Produced by Harry Hope
Cinematography: Stanley Cortez
Distributed by Cine-Find
Running time: 83 minutes


Cast


Bobby Van as Danny
Ruta Lee as Dr. Marion Turner
Mala Powers as Maj. Georgianna Bronski
James Craig as Dr. Haines
Grant Williams as Maj. Kurt Mason
Henry Wilcoxon as Dr. Christopher Perry
Essie Lin Chia as Girl Spy
Casey Kasem as Mission Control Officer
Lorri Scott as Lt. Katie Carlson
Denny Miller as Col. Don Price
Mike Farrell as 1st Reporter





Trailer


A Red Chinese "doomsday machine" capable of destroying the surface of the Earth!
A plan to use the Doomsday machine within a matter of days
A manned U.S. space mission to Venus, ‘Project Astra’ taken over by the military!
Nearly half of Astra’s all-male crew replaced by women!But Why?
The Earth completely destroyed in a global cataclysm!
Is the human race doomed to extinction?
What of the crew of the Astra as they journey to Venus?


Read on for more.....

Sunday, 19 January 2025

Crack in the World (1965)




An entertaining sci-fi film that is great fun to watch and does not fail to warm things up for the audience


Directed by Andrew Marton
Written by Jon Manchip White, Julian Zimet
Produced by Bernard Glasser, Lester A. Sansom
Cinematography: Manuel Berenguer
Music by Johnny Douglas
Distributed by Paramount Pictures
Running time: 96 minutes
Budget: $875,000


Cast

Dana Andrews as Dr. Stephen Sorensen
Janette Scott as Dr. Maggie Sorensen
Kieron Moore as Dr. Ted Rampion
Alexander Knox as Sir Charles Eggerston
Peter Damon as John Masefield
Jim Gillen as Rand
Gary Lasdun as Markov
Alfred Brown as Dr. Bill Evans
Mike Steen as Steele
Emilio Carrere
Sydna Scott as Angela
John Karlsenas Dr. Reynolds
Todd Martin as Simpson
Ben Tatar as Indian Ambassador


A geothermal energy project developed with the aim of breaking through to the Earth's magma layer by means of a thermonuclear device!

The possibility of cracking the key to unlimited energy!
or
Cracking Earth’s crust and destroying the planet!

Trailer

Read on for more....

Monday, 19 December 2022

THE END IS NIGH! The 7th volume in the SCI-FI FILM FIESTA eBook series.


SCI-FI FILM FIESTA
VOLUME 7:
THE END IS NIGH!



The many ways by which human civilization could be brought to a crashing end have from time to time been the subject of science fiction films. In the 1950s and throughout the Cold War period, the threat of nuclear annihilation was for many people a very real prospect. 

This 7th volume of the Sci-Fi Film Fiesta series: “The End Is Nigh,” features sci-fi films of the 1950s that depict end-of-the-world scenarios as well as post apocalyptic and dystopian futures.

CONTENTS

  • When Worlds Collide (1951)
  • Five (1951)
  • 1984 (1954)
  • Day the World Ended (1955)
  • World Without End (1956)
  • The Night the World Exploded (1957)
  • The Monolith Monsters (1957)
  • The World, the Flesh and the Devil (1959)


EPUB DOWNLOAD


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(Text)


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KINDLE DOWNLOAD


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TXT DOWNLOAD


Also available at;



FREE EBOOKS.NET




Other eBooks in the Sci-Fi Film Fiesta series:

Volume 1: “Here Be Monsters”
Volume 2: “Into Space”
Volume 3: “Other Worlds”
Volume 4: “Journeys Within”
Volume 5: “Alien Contact”
Volume 6: “Alien Invasion”


Keep an eye out for Volume 8: Big Bugs & Crazy Critters


Sunday, 17 January 2021

This Is Not A Test (1962)


A low-budget minimalist, effective and suspenseful Cold War film with decent performances by a largely unknown cast. 


Directed by Fredric Gadette
Produced by Murray De Atley, Fredric Gadette
Written by Peter Abenheim, Fredric Gadette, Betty Lasky
Music by Greig McRitchie
Cinematography: Brick Marquard
Edited by Hal Dennis
Distributed by Allied Artists
Release date 1962
Running time: 73 minutes


Cast


Seamon Glass: Deputy Sheriff Dan Colter

Thayer Roberts: Jacob Elliot Saunders

Aubrey Martin: Juney

Mary Morlas: Cheryl Hudson

Michael Greene: Joe Baragi 

Alan Austin: Al Weston

Carole Kent: Karen Barnes 

Norman Winston (?): Sam Barnes

Ron Starr: Clint Delany

Don Spruance: Peter

James George Jnr; Norman Bishop; Ralph Manza; Jay Della; William Flaherty: The Looters

***************



Edited  by YouTube user The Nebula55 at;
https://www.youtube.com/watch?v=w1j120FfO6g&ab_channel=TheNebula55

From original video by Mike Shaver “Simulated Conelrad Report Spring 1962” at;
https://www.youtube.com/channel/UCzDMF75v38L7FKrNQzB0Y5w

It’s 4.00am on a lonely stretch of mountain highway.
A policeman sets up a road block. 
Several cars and a truck are stopped……..
And the nightmare begins!!!

Read on for more.....

Monday, 20 July 2020

Sci-Fi Stories That Inspired Classic Sci-Fi Films: “When Worlds Collide” (1933) by Philip Wylie and Edwin Balmer



By Source, Fair use, https://en.wikipedia.org/w/index.php?curid=3574871



Hello readers! Good to be back after a bit of a break from all matters blogging. I thought I might start off with a novel I have just finished reading which I hope you will enjoy if you haven't read it yet.......

Spoilers follow below......

“When Worlds Collide” is a 1933 science fiction novel co-written by Philip Wylie and Edwin Balmer. It was first published as a six-part monthly serial (September 1932 to February 1933) in Blue Book magazine, illustrated by Joseph Franké.

The story was adapted into a film in 1951 with George Pal’s sci-fi classic version of “When Worlds Collide” which is featured in this blog. The film was produced by George Pal and directed by Rudolph Maté.

In both the book and film versions, a select group of humans with superior intelligence are to board a spaceship constructed to escape the earth which is destined to be obliterated by an oncoming planet. If they survive the initial escape into space, the remnants of the human race will settle on another planet where they will found a human colony.

In Wylie and Palmer’s book, Sven Bronson, a Swedish astronomer working at an observatory in South Africa, discovers a pair of rogue planets, Bronson Alpha and Bronson Beta,both of which will soon enter the Solar System.

It is calculated that in eight months’ time, the two intruding planets will pass close enough to cause catastrophic damage to the Earth. After they swing around the sun sixteen months later, the larger of the planets, a gas giant called Bronson Alpha will return to destroy the Earth before it leaves. On the other hand, Bronson Beta which appears to be more Earth-like and potentially habitable will remain and achieve a stable orbit. It is on Bronson Beta that hopes for the continued survival of the human race will depend.

Cole Hendron leads a group of scientists who work desperately to build an atomic rocket that will contain a select number of people, together with animals and equipment and transport them to Bronson Beta before the earth is destroyed. It turns out that only 100 out of about thousand people Hendron had recruited will be able to take up places on the rocket. It seems also that other nations have similar projects underway.

Hendron is assisted by his daughter Eve who forms a relationship with young business man, Tony Drake and a kind of complicated love triangle develops between Tony, Eve and Ransdell during the course of the story. Not to mention the complicated moral and ethical questions that arise with having to start civilisation from scratch on a new planet with a limited number of people. Monogamous love relationships and pairings may not suit the new circumstances!

In preparation for the first encounter, vulnerable coastal regions in the US are evacuated along with the “planting vast areas of land in crops.” When the expected planetary encounter occurs, massive tidal waves sweep inland and the earth is wracked by tremendous volcanic eruptions and earthquakes accompanied by raging wild weather. The images conjured up by the descrption of the upheavals and destruction are more vivid than what appeared on screen in the film version.To add cosmic insult to injury, Bronson Alpha approaches close to and destroys the Moon.

Meanwhile, the US President has taken up residence in Hutchinson, Kansas, which has become the temporary capital of the United States. Massive geological transformations have occurred with flooding of the entire Southeast region along with the Great Lakes emptying into the Saint Lawrence region, and Connecticut turning into an island archipelago.

South African pilot David Ransdell and two comrades use a plane to survey the scenes of destruction. During a battle with a desperate mob, the three intrepid souls are wounded but are able to bring back to the encampment a sample of a rare and essential heat-resistant metal which can be used to make rocket tubes capable of withstanding the heat of the atomic exhaust.

With just five months to go before the final encounter, a desperate battle erupts between attacking mobs and those defending the camp. Over half of Hendron's people perish in the assault before they use the rocket in a novel way to defeat their assailants. Look for the wonderfully ‘surreal’ description of the man on horseback at the end of the battle! The sheer desperation involved in the fight for survival is very effectively conveyed in the story.

With the newly acquired metal helping to solve the rocket tube heating problem, a second, larger ship is constructed that can carry all of the remaining survivors in Hendron’s camp.

With the end of the earth imminent, both rockets manage to take off but lose contact with each other. Other ships also manage to launch from Europe but the French rocket is seen to explode in the upper atmosphere.

The first rocket rocket carrying Hendron makes a successful landing on Bronson Beta, which appears to be habitable. It is not known however if anyone else had made it.


************




By Source, Fair use, https://en.wikipedia.org/w/index.php?curid=11348604


The 1951 Technicolour Paramount Pictures film version “When Worlds Collide” starring Richard Derr, Barbara Rush, Peter Hansen, and John Hoyt is as has already been noted based on the 1933 science fiction novel of the same name.

The film version tells the story of the Earth being destined to be destroyed by a rogue star called Bellus and of a space ark being constructed to transport a select group of men and women to Bellus' single planet, “Zyra.”

South African Pilot David Randall is given the task of flying top-secret photographs from South African astronomer Dr. Emery Bronson to Dr. Cole Hendron in the United States. Hendron, with the assistance of his daughter Joyce, confirms the undeniable fact that a rogue star named Bellus is on a collision course with Earth.

Hendron warns the United Nations that the world will end in eight months’ time and makes an appeal for the immediate construction of "arks" to transport a select few to Zyra, the planet orbiting Bellus. Despite it being the only hope for the human race to be be saved from extinction, Hendron’s claims and appeal are rejected by the UN delegates.

Wealthy benefactors step in to arrange for a lease on a former proving ground to build an ark while wheelchair-bound business magnate Sidney Stanton offers to finance the construction of the ark on condition that he select the passengers. Hendron insists he only has the right to buy a seat aboard the ark. The ugly and selfish nature of the Stanton character is focussed on to a greater extent in the film version as opposed to the rather brief treatment of a similar somewhat mentally warped and deranged character in the book.

Joyce convinces her father into hanging on to the intrepid Randall (whom she seems to take a liking to), much to the displeasure of her boyfriend, Dr. Tony Drake.

As Bellus inexorably approaches, it becomes evident that Hendron was right all along. Everyone gets into gear with spaceships being constructed in other nations, martial law being declared and populations in coastal regions being evacuated to inland cities.

When Zyra approaches first, massive earthquakes, volcanic eruptions, and tidal waves occur around the world. Later, Drake and Randall drop off supplies to people in the surrounding area by helicopter. A moment of truth arrives when Randall gets off the copter to rescue a little boy stranded on a rooftop in a flooded area. Drake thinks about resolving the eternal love tirangle situation by flying away, but being the good fella he is decides to return. What a guy!

With a constant, urgent and insistent countdown to destiny, the rocketship is loaded with food, equipment, necessary provisions and animals. The passengers are to be then selected by lottery, with places already reserved for Hendron, Stanton, Joyce, Drake, pilot Dr. George Frey, Randall and the young boy who was rescued. This brings the number of passengers to 45.

Randall, believing he lacks any useful skills for starting civilisation anew, pretends to draw a lottery number, but our “what a guy” Drake informs Randall that Frey has a heart condition and that if he doesn’t manage to survive the blackout during lift-off, Randall will be needed as the co-pilot. What a guy!

Meanwhile, the stone-hearted cynical Stanton has been busily stock-piling guns knowing what measures the desperate lottery losers would be likely to take to save themselves. A student of human nature he fancies himself to be no doubt!

Perhaps….but we see then witness a young man who decides to turn in his winning number because the one he loves was not selected. Suddenly, Stanton's brow-beaten constantly demeaned assistant, Ferris claims the number at gunpoint, but he is then shot dead by Stanton.

Danger for the whole enterprise lies closer to hand when just prior to take-off a desperate mob of lottery losers riot. Using Stanton's weapons, they try to force their way aboard the ark.

In another of those “what a guy” moments, Hendron remains with Stanton outside the ship when it launches so that it will consume less fuel on the journey to Zyra. Besides, he feels that starting a new civilisation should be a task for the young. Impelled by sheer desperation, Stanton manages to stand up and futilely attempts to walk toward and board the departing spaceship.

Unlike the survivors in the book’s story, the survivors in the film verson are rendered unconscious by the g-force of acceleration and fail to witness Earth's destruction. In the book version, the ark’s occupants watch on “as the nebulous atmosphere of Bronson Alpha touched the air of earth and then the very earth bulged.”

Randall comes to and sees Dr. Frey relatively chipper, awake and piloting the ship. He then realizes “what a guy” Drake truly is. But his piloting skills are soon required since the fuel is running low as the ship enters Zyra's atmosphere. Randall manages to glide the ship to a safe landing on the surface of Zyra.

Zyra does indeed turn out to be habitable. We close with David, Randall and Joyce walking hand-in-hand down the ramp as a new day dawns on a very ordinarily painted representation. At least in the novel there was an actual road upon which they walked and indications of a previous civilisation.

Please feel free to read my review of the film, “When Worlds Collide.”

As to the novel? Well, I highly recommend that you read it. It’s a very lively well-paced writtten story but the style of language along with certain references are definitely from a by-gone era. I know that the collective heads of the PC Brigade will explode upon reading about Kyto the “little Jap” manservant of Drake. Then there’s the matter of eugenics with the selection of suitable candidates for the journey to Bonson Beta. Let’s not even get started on the portrayal and role of women despite the inclusion of a quite for the time strong female character in Eve. I can just see idiots trying to slap disclaimers all over the novel or airbrush or burn it out of existence!

What you do get in the novel is strong sense of what the characters are like and the relationships they have with each other. Also, the descriptions of the destruction caused to the Earth by the approach of Bonson Alpha, along with the desperate struggle with the invading mobs upon the encampment were very detailed and vivid. All this and more in a rollicking good almost ‘first of its kind’ story.





It’s worth considering the recent theory that a planet given the name of Theia collided with the early Earth around 4.5 billion years ago, with the resulting debris gathering to form our Moon.

It is believed that Theia was about the size of Mars and that it might have formed in the outer Solar System and that much of Earth's water originated on Theia.

It’s also worth mentioning that a book called “Worlds in Collision” by Immanuel Velikovsky was published in 1950. Velikovsky suggests that around the 15th century BC, the planet Venus was ejected from Jupiter as a comet or comet-like object and passed near Earth!

Finally, many readers will recall the events of July 1994 when fragments of comet Shoemaker-Levy 9 crashed into Jupiter over a period of several days, providing the first direct observation of an extraterrestrial collision of Solar System objects.


I would definitely put “When Worlds Collide” (1933) by Philip Wylie and Edwin Balme on your sci-fi reading bucket list and then follow it up with a viewing of the film version.

The sequel,” After Worlds Collide,” deals with the fate of the survivors on Bronson Beta.


PDF LINK

Full Film Link

©Chris Christopoulos 2020

Tuesday, 28 April 2020

The Day The Earth Caught Fire (1961)


A wonderfully produced, directed, photographed and well-acted sci-fi film containing a fast-paced witty script, characters with depth and a frightening believable plot. 


Directed by Val Guest
Produced by Val Guest, Frank Sherwin Green
Written by Wolf Mankowitz, Val Guest
Music by Stanley Black, Monty Norman
Cinematography: Harry Waxman
Edited by Bill Lenny
Production company: Val Guest Productions
Distributed by British Lion Films (UK), Universal-International (USA)
Running time: 98 minutes
Budget: £190,000 (approx.)


Cast

Edward Judd as Peter Stenning
Leo McKern as Bill Maguire
Janet Munro as Jeannie Craig
Michael Goodliffe as 'Jacko', the night editor
Bernard Braden as the news editor
Reginald Beckwith as Harry
Gene Anderson as May
Renée Asherson as Angela
Arthur Christiansen as Jeff Jefferson, the editor
Austin Trevor as Sir John Kelly
Edward Underdown as Dick Sanderson
Ian Ellis as Michael Stenning
Peter Butterworth as second sub-editor
Michael Caine as a police constable




Trailer


Sixty years ago panic engulfed the entire world. 



Sixty years ago the United States and the former Soviet Union simultaneously detonated nuclear devices. 

Sixty years ago the world’s weather changed dramatically. 

Sixty years ago the earth’s axis of rotation altered by eleven degrees. 

Sixty years ago Daily Express reporter, Peter Stenning and Meteorological Center telephonist, Jeannie Craig met and fell in love. 


What do all these events have in common? 

What links these seemingly unconnected occurrences? 


**********************


“The time is now 10:41, 
19 minutes before countdown…. 
19 minutes.”


Picture a world sixty years into our past – a world baking under the relentless searing rays of the sun. A solitary figure bathed in sweat picks his way through the orange flame-hued streets of a deserted London from which humanity has been banished by a seemingly vengeful son god, Rah.

The silence is palpable with the absence of civilization’s hustle and bustle, its chitter and chatter, and its clamor and confusion. What made life gleamingly nimble and agile now lies dull, dead and dormant – mute phones, motionless fans and deceased elevators.



The lone man, Peter Stenning enters his newspaper’s office building and manages to find someone to dictate his story to, but as to the likely audience…….THAT remains to be seen!

“It is exactly 30 minutes since the corrective bombs were detonated. Within the next few hours, the world will know whether this is the end or another beginning. The rebirth of man or his final obituary. For the last time, man pursued his brother with a sword, and so the final fire was kindled. The Earth that was to live forever was blasted by a great wind towards oblivion. It is strange to think that barely 90 days ago…” 

Read on for more….. 



Sunday, 12 January 2020

The World, the Flesh and the Devil (1959)




A very thought provoking end-of-the-world tale dealing with matters that are more than just black and white or merely skin deep. 

Directed by Ranald MacDougall
Produced by Sol C. Siegel, George Englund, Harry Belafonte (uncredited)
Written by Ranald MacDougall
Screenplay by Ranald MacDougall
Based on novel The Purple Cloud by M. P. Shiel and
story End of the World by Ferdinand Reyher
Music by Miklós Rózsa
Cinematography: Harold J. Marzorati
Edited by Harold F. Kress
Distributed by Metro-Goldwyn-Mayer
Running time: 95 minutes
Budget: $1,659,000
Box office: $1,085,000 


Cast




as Ralph Burton 



as Sarah Crandall 



as Benson Thacker 




The title of the film comes from the Litany in the 1662 Book of Common Prayer: "From all the deceits of the world, the flesh, and the devil, spare us, good Lord." In Christian theology, the world, the flesh, and the devil has been viewed as being the three enemies of the soul, the sources of temptation, and as standing in opposition to the Trinity.
************* 

Trailer

As the end of one decade and the beginning of the next approaches, “negro” coal mine inspector Ralph Burton finds himself in the bowels of the earth conducting a preliminary structural inspection of a disused section of 3rd level, tunnel 8.

Read on for more......

Wednesday, 15 October 2014

Day the World Ended (1955)





Low budget, atmospheric film driven by character conflict and tension within the context of a desperate struggle for survival


Directed by Roger Corman
Produced by Roger Corman
Executive Alex Gordon
Written by Lou Rusoff
Music by Ronald Stein
Cinematography: Jockey Arthur Feindel
Edited by Ronald Sinclair
Production company: Golden State Productions
Distributed by American Releasing Corporation (ARC)
Running time: 79 min
Budget: $96,234.49
Box office: $400,000 (part of double bill with The Beast with a Million Eyes)


Cast



Richard Denning as Rick
Lori Nelson as Louise Maddison
Adele Jergens as Ruby
Mike Connors as Tony Lamont
Paul Birch as Jim Maddison
Raymond Hatton as Pete
Paul Dubov as Radek
Jonathan Haze as the Contaminated Man
Paul Blaisdell as the Mutant
Chet Huntley (of NBC and later of The Huntley-Brinkley Report )as Narrator (voice)
Diablo, the burro.



Day the World Ended (1955) was the fourth film directed by Roger Corman. The events take place after an atomic war has destroyed human civilization. A scientist named Rick, along with a small group of survivors find themselves in a desperate battle for survival against a mutant monster, along with monsters of their own making!


Trailer




[Prologue]





Prepping For The Day When The World Ends


In our own anxious age sixty years after the making of this film, we may not be so worried about our civilisation being destroyed by global nuclear war. However, in the face of nuclear proliferation combined with unstable regimes possessing nuclear weaponry and the shifting sands of global conflict, only a fool would think that this form of potential global destruction no longer exists.

Doomsday Preppers devote a great deal of time and resources in preparation for such an eventuality as global nuclear war. Not only that, other doomsday scenarios are considered by various preppers such as giant tsunamis; solar flares taking out power grids; super volcanic eruptions; super storms and tornados; massive earthquakes; global climate change catastrophe; asteroid and comet impact; food, fuel and other resource depletion; global pandemics akin to the early 20th Century Spanish influenza, the 2003 SARS virus or even the current Ebola virus.


And they say the 1950s was an anxious age??!!!




(Warning! Spoilers Follow!)

Prepare for today, be ready for tomorrow


“What if “tomorrow heralds an all-out atomic war, which destroys most of human civilization, and leaves the Earth contaminated with radioactive fallout or the “atomic haze of death?” Just such a scenario had occurred to former Navy Commander, Jim Maddison who lives with his daughter, Louise in a natural box canyon, surrounded by lead-bearing cliffs. His home is stocked with supplies in preparation for just such a nuclear holocaust – “TD Day”, total destruction day: The day the world is destroyed by nuclear war. It turns out that Jim had “spent ten years getting ready for it.”





Moral dilemmas


(When survival dictates the choices that need to be made even if they conflict with our sense of morality)

By chance, (or by a “force greater than man”) several survivors stumble Into Jim’s natural bomb shelter refuge. Jim initially refuses to admit these seekers of refuge as he only has supplies for three people, “I can’t let them in, I’ve only got provisions for three…..It’s their lives or ours.” However, he relents when his daughter pleads with him indicating that her conscience will not let her abandon them.





The survivors consist of geologist, Rick who also happens to specialize in uranium mining; small-time hood, Tony; Tony’s ‘companion’ Ruby who is a stripper (always handy to have in any post-apocalypse colony!); Radek, a victim of radiation sickness; Pete, an old prospector and his burro, Diablo.



Assessing Threats To Survival


(The need to plan for and deal with likely external and internal threats to survival)


Threats From Without


Our survivors are forced to contend with;


  • Uncertainty as to whether the radioactive fallout will dissipate.
  • The possibility of rain washing what's in the atmosphere down to Earth, contaminating the shelter and the surrounding area. 
  • A hideous mutant monster that will kill anything it comes across, but will only eat those creatures which are contaminated by fallout.

Threats From Within


The introduction of more people into the safe haven of Jim’s shelter has also introduced a new dangerous dynamic involving clashes of character, personality and competing interests inimical to the group’s survival.

Tony’s callous and selfish character: He only looks after his own interests and wants the other men out of the way, so that he can have the two women, especially Louise, to himself. The potential for conflict is established early when Tony says to Jim, “you sound like you’re used to giving orders. That makes two of us.” Later, after a physical confrontation with Rick, Tony declares, “I ain’t gonna’ like you mister!”



Leadership & Organisation


(The need to establish who is in charge of organising and directing people and resources)


At several points during the film, Jim establishes and asserts his overall authority over the others. When Rick offers his expert opinion concerning radiation, Jim cuts him short with, “when I want an opinion, I’ll ask for it!” His authority seems to extend to the point of deciding matters of life and death: “I and only I will decide how much we’ll eat!” Faced with a fight for survival, cooperative democratic decision making processes seem to give way to arbitrary rule by one person.


Knowledge & understanding


(The importance of making use of experience, needing to observe carefully and the ability to reflect on and learn from experience and observation)


Rick and Jim take a series of readings around the house using a Geiger counter. Rick being a geologist understands the true nature of their situation. Jim also makes reference to his previous experience of the H bomb tests involving an animal ship at target zero which leads him to consider what might occur as a result of the radiation on the wild life.




During the night Radek wakes and while talking with Rick expresses a strong desire for raw red meat, “Man needs meat!.......I need some red meat-- nearly raw; I don’t know why, but it would do me good,” Later on, Jim declares to Rick that Radek is a “mutation…a freak of this atomic world.” For Rick “it’s important to us that he should live.”


Post-apocalypse World


(What shape will the post-apocalypse world take in terms of potential dangers; how life may have to be lived in a totally new world order; psychological and physical effects on people; long-term planning for survival of the species; re-evaluation of long-cherished values and morality)

Weeks later Jim and Rick come across the remains of a freshly killed rabbit which Radek abandoned when confronted by a large mutant creature. They conjecture that Radek has been exposed to so much radiation that he may be beginning to mutate. 




Jim later explains to the group that the approaching rain could very well be saturated with “nuclear death” and that their chances of surviving will depend on how intense the radiation absorbed by the water is. If they make it then they will set about planting crops and planning for their long term survival.

After a few weeks, Louise is beginning to feel optimistic when she declares that “I think I’m beginning to want to live again.” Jim and Rick on the other hand are preoccupied with the nature of a post-apocalypse world whereby the possible “leap in evolution” may result in the “laws of Man and God” transforming into a set of “entirely new laws.”




One day as Louise and Ruby bathe at a waterfall, Louise hears the strange high-pitched sound and is convinced they are being watched. On their way back to the house they discover a set of strange tracks.

After Jim and Rick examine the tracks they realize that there are more mutants around than just Radek. Jim believes that he will eventually have to kill Radek. Rick, however, would prefer to study Radek so he can better understand the threat the mutants represent. Rick believes that they should have a sense of responsibility to the future and not just aim purely for survival. Jim then highlights how imperative it is for the females to bear children as soon as possible.


(Preparing for a battle for survival including group conflict, dissension, lack of cohesion and the development of competing interests)

One night after Tony tries to unsuccessfully force his affections on Louise, he tells Ruby about his plan to kill the other four along with Radek. With only about a month’s worth of food left, killing the others would enable them to survive for up to three months.

Rick meanwhile conjectures from Jim’s experience with the H bomb tests and the resultant animal mutations that a similar situation is developing in the valley. He believes a
battle will be fought in the valley between the life of the old world, and the life of the new order.

Tony tries to steal Jim’s gun while Jim is asleep but is spotted by Rick resulting in another fight breaking out with Rick emerging victorious.




Later on while exploring, Rick and Jim encounter a man who is partially mutated. Before he dies, the man informs them that there are more of his kind up the hill but that they are much stronger. Added to this, Radek informs Rick one night that the only reason he came back to the house was to shelter from the other mutant in the valley. He then warns Rick that they will all be dead in a couple of weeks.

(The importance of maintaining vigilance and security)


After finding the mutant creature’s tracks close to the house. Jim decides they need to start standing night watches.



(Factoring in the difficulty of maintaining morale and hope. Depression and despondency are never far away)


Over time Ruby finds solace in Pete’s moonshine. One night while intoxicated she performs one of her striptease routines. She breaks down crying as she reminisces about her club days and how the male audience would respond to her. Her sense of grief for a past life lost is compounded by her crushed hopes of a future with Tony who continues to spurn her.


(A crisis can often mean the need being felt for decisive action to be taken: sometimes rash, impetuous and even in other circumstances inhumane and criminal)

While searching for Pete’s missing burro, Rick and the others find the cannibalized remains of the stranger who had died the night before. Later Radek is caught and killed by the mutant. It is then decided that the mutant has to be stopped by whatever means necessary.




Old Pete whose life revolves around the other kind of diablo he has been towing along with him, gold and moonshine, decides to walk out of the valley. Jim tries to stop Pete who enters the vapour cloud at the top of the ridge. After Pete strikes Jim, he is overcome by the radioactive vapour.




Tony soon decides to force himself on Louise by threatening her with a knife. He states, ‘All my life I had to claw for things….I haven’t had time for your kind of woman.” Ruby overhears what has been going on and confronts Tony, “Tony, let the little girl go!” After Tony calls Ruby “dime-store stuff” she tries to stab him. In the brief struggle, Tony stabs Ruby killing her. Tony then callously dumps her lifeless body over a cliff, his last words to her being, “Happy landings sweetheart.”




One night Louise awakens from sleep but seems to be under some hypnotic spell. She then leaves the house until she encounters the mutant. Upon finding Louise missing, Jim arms Rick with a rifle and sends him to find Louise. He instructs Rick, “if there’s no way out, be ready to use it (on Louise)”


(Survival can be a precarious thing by its nature. It can often depend on many factors: action, preparedness, planning, decisiveness, ruthlessness, luck. However, survival in and of itself has little meaning without a measure of hope, love, positive values, self-sacrifice, selflessness and a willingness to believe in something greater that gives one strength to continue and make sense of everything.)

Tony eventually gets the gun from a sick and couch-bound Jim, and is intent on taking control. Jim merely informs Tony he will be dead soon enough.




Meanwhile in the final climactic scene of the film the mutant drops Louise in the waterhole as Rick arrives on the scene and begins shooting at the monster, but without any effect. It suddenly dawns on Louise that the creature is afraid of water as it is obviously afraid to enter the water hole. As luck (or God) would have it, it begins to rain and the mutant runs away. Rick and Louise follow the creature, only to find it has been destroyed by the “pure” rain. It turns out that the mutant was Louise's missing fiance. 




Tony, having already taken Jim's pistol, waits to ambush Rick when he returns to the house with Louise. As he takes aim at the approaching Rick, Jim produces a second pistol and kills Tony.

Before Jim succumbs to radiation sickness, he explains how the rain is radiation-free, how it will wash away all of the remaining contamination and that it has destroyed the mutants. He also tells Rick and Louise that (as a result of his attempts to establish communication with the outside world) he heard voices of other survivors on the radio. Jim’s last words concern his conviction that     ”there is a future out there for you two,” but not for him. 


The film ends with the final two survivors, Rick and Louise, walking hand in hand out of the canyon to begin a new life in a new world, highlighted by the end-card,



"The Beginning."



Points of interest




Day The World Ended was director Roger Corman's first foray into science fiction. If you look closely at Louise's Fiancée, Nelson in the framed photograph, who do you see? Why, none other than Roger Corman himself! Too bad he didn’t make that a regular trademark such as Hitchcock’s making regular walk-through appearances in his films. We could have had spot the Corman in random pictures hanging on walls and on mantle-pieces! Read more about Roger Corman in the Tribute to Roger Corman post in this blog.

Day The World Ended was shot over ten days and was released by American Releasing Corporation, which later became American International Pictures. It was released on a double bill with The Phantom from 10,000 Leagues and within two months of release the films had earned $400,000. Denning himself was paid $7,500 plus a percentage.

In 1967 there was a remake of Day The World Ended with the title In the Year 2889. It was little more than a clone with almost the same dialogue being used.

Some of the acting performances were excellent such as Lori Nelson (also Revenge of the Creature) playing the part of Louise. Her facial expressions convey very well the different emotions her character experiences. 




Adele Jergens who plays Ruby gives a standout performance as a burlesque / striptease performer who is a bit past her prime and who is rejected by her companion Tony, the small time hood. She’s rough around the edges but her heart is in the right place and we feel for her in her drunken grief. (Note the appropriateness of the proximity of the theatrical mask on the wall to her as her face reveals her emotional state!) 







Richard Denning (Target Earth, The Creature from the Black Lagoon & Creature with the Atom Brain) plays the rational scientist hero effortlessly in this and other films. See the Tribute to Richard Denning post in this blog for further information about him.





Mike Connors (TV's Mannix) is perfect as the ruthless uncaring and completely unsympathetic small – time hood, Tony who is only interested in satisfying his own selfish desires. 




Convincing performances are also given by Paul Birch (Beast with a Million Eyes & Not of This Earth) who plays Jim Maddison, the decisive authority figure, as well as by Raymond Hatton, the old timer gold prospector, Pete who seems to have ambled onto the set with his mule fresh from a western movie!

Apart from the good acting performances, the film’s main strength lies in its portrayal of the interactions, conflicts and emotions of the characters as they try to survive within the limited confines of their post-atomic world. The film uses the same kind of device that the ancient Greek tragedians such as Sophocles would have been familiar with: namely, the throwing together of people into a situation or a circumstance which is beyond their control and seeing how they deal with it. It doesn’t matter if the forces they are subject to are beyond their control or if the future and their fate seem to be predetermined. What is important is the choices they make and how they decide to act in the face of this cataclysmic nightmare. Do they simply succumb to fear? Will they rise nobly to the challenge? Or will they resort to savagery and greed? Our need to know is what largely drives the film’s story.

The Day The World Ended uses its low-budget to good effect with its limited, confining and almost claustrophobic setting. This atmospheric setting consists of the interior of the house, the radioactive-free area around the house and the surrounding foothills enveloped by a radioactive vapour. 




Finally there is the mutant creature created and played by monster-maker Paul Blaisdell. Although not great as far as movie monsters go, the creature is wisely kept off-screen for most of the time. Instead, sound effects, shadows, and blurred camerawork are used to good effect. Added to this is the extra emotional dimension given to the creature by virtue of the fact that it was once Louise’s loving fiancé and that it was trying to get back to his the object of his love.


Perhaps ultimately it is better for individuals and families to live the life they have instead of obsessing about the possibility of global disaster and expending so much time, energy and resources in order to ensure their own survival. It would be better for each of us to use the time we do have on this planet to think and act in ways that will help to avert both man-made and natural threats to humanity’s survival. 

I for one have far more admiration for some young student in say, Hong Kong who finally looks up from his smart phone, surveys what’s happening around him and together with his compatriots says “NO! Enough is enough!” and takes action (anything from writing a critical blog post through to active political demonstration) in order to change the situation he finds himself in. 

How much better for the long term survival of our species than someone storing nuts in a rat hole on the off-chance that they may one day emerge to eke out an existence in competition with cockroaches! After all, life is not like a movie where our hero and heroine traipse hand in hand off into the distance out of the ashes of the old world to seek out a happy new beginning…….












©Chris Christopoulos 2014